Word: comical
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Dates: during 2000-2009
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...recorded in the first 24 hours. At the time it was a staggering number. This month, King is dipping his toe into the Internet yet again. To promote Just After Sunset - his first volume of short stories in six years - King's publisher, Scribner, has teamed up with Marvel Comics and CBS Mobile to produce and distribute an online comic adaptation of a previously unreleased story from the collection...
...online version of N., King's 54-page story about a psychologist whose obsessive-compulsive patient is entranced by a mysterious plot of land, is a hybrid of several media, using images, music and voices. "It's kind of a video comic book," says King. Others have recently attempted similar projects, referred to as "motion comics." Warner Bros. (which is owned by Time Warner, TIME's parent company) has released a Batman-related Web series and a motion-comic adaptation of the acclaimed graphic novel Watchmen. Yet N. has been specifically constructed to appeal to the short attention spans...
...going to work and what's not." And though, as one of the top-selling fiction authors of all time, King doesn't have to worry about selling books in large numbers, he is less certain that his loyal (and undeniably older) readers will take to a video comic book from him. "In a pop-cult sense, I'm over," he says matter-of-factly. "But take someone like Stephenie Meyer. The kids love her, and they spend huge amounts of time on the Web. If she were to pull out a vignette from those novels and put it online...
...project arose out of King's special relationship with Marvel Comics. The comic-book company has already published a dozen issues of a series based on his epic Dark Tower novels, which are among the company's best-selling titles. On Sept. 10, Marvel will begin a 30-issue run of The Stand, King's 1,200-page-plus novel about a superflu that decimates the globe. It's fairly easy to figure out why King's work adapts so easily to comic form, says Ruwan Jayatilleke, a senior vice president at Marvel, who was executive producer...
Whereas most male stars in the Saturday Night Live era (a line that stretches from Bill Murray to Seth Rogen) sport a louche, slackerish affability, Stiller often plays the less-than-pleasant comic foil: the tightly wound unhero who either gets on everyone's nerves (Dodgeball, The Royal Tenenbaums) or is the hapless pawn of domestic fate (Meet the Fockers, The Heartbreak Kid). As actor, writer or director, he knows something most Hollywood people don't: certain characters needn't be lap-dog lovable--if they're funny enough, the movies they're in can still be hits...