Word: comical
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Dates: during 2000-2009
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...Brooks's musicalized version of his 1967 film comedy, was an out-of-the-blue, ain't-Broadway-grand surprise when it opened in the spring of 2001. A septuagenarian funnyman adapts one of his old movies for the stage, writes the songs himself, indulges all his vulgar-vaudevillian comic impulses, and shows the Broadway pros how to do it - what could be more thrilling? And so, when Brooks went back to his film archives to perform the same trick with Young Frankenstein, his horror-movie spoof from 1974, the buzz on Broadway was that another can't-miss...
Taylor, who previously co-edited The Oxford Shakespeare: The Complete Works, is part of a growing cohort of critics who regard Middleton as Shakespeare's equal in wordplay and storytelling. "His is a darkly comic and unsparing view of human nature," says Gail Kern Paster, director of the Folger Shakespeare Library in Washington. "He has a witty and inventive spirit, and several of his plays are as great as any plays that Shakespeare wrote," she adds, citing The Changeling, Women, Beware Women and The Revenger's Tragedy as examples. The idea now is to push him as a grittier, edgier...
...Years later, some comic superheroes would actually be identified as Jews, like Auschwitz survivor Magneto and - the Golem myth incarnate - Ben Grimm (The Thing) of the Fantastic Four. But despite the rumors, the Man of Steel is no Supermensch, says Pasamonik. "Superman is not Jewish," he says. "When Superman gets married it's not at the synagogue!" Pasamonik has not missed the heavy dose of Jewish culture Siegel and Shuster instilled in their character: baby Superman's passage through space in a cradle-like vessel and subsequent adoption "is the story of Moses," he says, adding that El of Superman...
...After World War II, the comic book genre became an unlikely vehicle for civic protest and consolidation of memory. "The hour of immigrant assimilation gave way to the fight for minorities and civil rights," explains Pasamonik. Harvey Kurtzman used the medium to tackle racial segregation, the Cold War and McCarthyism in his satirical MAD magazine. In 1955, when popular awareness of the Holocaust was scant, Bernard Krigstein and Al Feldstein caused a shock by revisiting the concentration camps with the seminal graphic story Master Race. During the '60s and '70s the genre opened up to the banal and biographical, with...
...Holocaust saga, Maus. Eisner and Spiegelman's heirs now litter the globe, from Frenchman Joann Sfar (The Rabbi's Cat) to Iranian Marjane Satrapi (Persepolis). "From Superman to the Rabbi's Cat" pays homage to these artists, inviting the viewer to consider the subtexts at work even in comic books about men in tights...