Word: comicalities
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...fourth year the Ice Follies had come to Broadway. The show was started on a shoestring by Eddie Shipstad & Oscar Johnson (a pair of St. Paul skaters who first got into the business 13 years ago when they were hired to do a comic Bowery skit at a Manhattan hockey game) and Eddie's younger brother, Roy. In 1937, the Follies were as crude as a road company of East Lynne. Next year the little St. Paul troupe was more professional. Last year they were still better. This year their show was as polished as any Follies the late...
...State Orchestra, Dresden State Opera chorus, Karl Bohm conducting, with Hans Hermann Nissen, Torsten Ralf, Margarete Teschemacher and other singers; Victor: 2 volumes, 30 sides). Superb singing, perfect teamwork, and the latest touches in crystal-clear recording, make this complete and bulky last act of Wagner's great comic opera the record of the year...
...Romanovs 'came to the throne 300 years ago they were "provincial nobodies." They managed, in their time, to produce three colossal figures (Alexander I, Catherine the Great, Peter the Great), one kind man (Alexander II, who freed the serfs, was killed by a bomb). The rest were monsters, comic grotesques, mental cases, or blank nonentities: calf-eyed Mihaïl, who died of melancholia; Elizabeth, the hard-drinking, nominally virgin queen whose beer-barrel figure enabled her to pass off her pregnancies as "indigestion"; infantile, impotent Peter III and insane Paul, "as ugly and misshapen as an abortion," both...
...personality, rather than Kaufman's, permeate the play. What colors Beggar on Horseback, for example, is the pleasantly housebroken imaginativeness of Marc Connelly; what colors The Royal Family is the romantic bustle of Edna Ferber. The plays Kaufman has written with Moss Hart are better fused because, as comic playwrights, the two men are cut to much the same pattern...
...revolutionaries who founded the U. S. and French republics. Durant does not capitalize on that. His treatment of Greek literature is more warmly informative than the Encyclopaedia Britannica, but it is commonplace in taste and no match for the subject. His illustrations are less than adequate (no papyrus, no comic masks, no small pottery) though such selections as the archaic mask of "Agamemnon" (see cut) are fresh and effective. But throughout his big book he does show, with more restraint in analogy-making than could be expected after his previous books, that the history of Greek politics is relevant...