Word: comicalities
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...opening weekend were women, and two-thirds were couples, who helped propel it to $145 million and counting. Aug. 17 brings us Superbad, concocted by Judd Apatow and Seth Rogen, who, respectively, directed and starred in Knocked Up. It too has the trappings of a love story--boys have comic misadventures as they try to get the girls of their dreams--but it's so steeped in men's bathroom humor, you half expect to see one of those colorful little urinal cakes somewhere at your feet when it's over...
Back in 1998, It seemed crazy when Todd McFarlane - a brilliant but eccentric comic-book artist turned action-figure mogul - paid $3 million for the ball Mark McGwire hit for his then record-breaking 70th home run. It seemed even crazier when he paid about $500,000 for Barry Bonds's record-breaking 73rd home run ball in 2003. Steroids scandals were by then casting shadows over home run records, and McFarlane was riding the memorabilia market down. But it doesn't seem so crazy now that McFarlane Toys is the official distributor of action figures for all four major...
...that I mean that there's something slightly comic in the formalities of 18th century language on screen that encourages us to look down at the characters speaking it. Poor dears! If only they could more frankly speak their desires, if only they were not so hedged by the ruling decorum of their historical moment. They encourage in us a kind of smugness, a sense that if they were only more psychologically more hip and open (as we are), their lives would be more fully human, a little less cartoonish. These films therefore miss much of Austen's satirical edge...
...film, written by 11 guys, and directed by David Silverman in the old-fashioned, hand-drawn way, looks surprisingly spiffy on the big screen. It's rated PG-13 (for brief frontal nudity), but vulgarity was never the envelope The Simpsons pushed. Its goal was density, comic congestion, the vacuum-packing of cool gags and grotesque-sympathetic characters into the shortest span possible...
Gaiman broke out in 1988 with a comic book about a brooding dream god who haunts humanity's ugly collective unconscious. With its melancholy tone and startling literary intelligence, The Sandman was a landmark in the artistic development of comics, and it won Gaiman the passionate loyalty of a vast army of nerds and goths. Stardust, published 10 years later, is the story of a pleasant young man who crosses into a magical world in pursuit of a fallen star, which he has promised to retrieve for the pretty but rather demanding girl he loves. It's a fairy tale...