Word: comicalities
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...been 50 years since the small but cunning warrior Asterix and his podgy stonemason pal Obelix began battling the armies of Julius Caesar in their remote village on the Brittany coast - the only part of ancient Gaul never conquered by the Romans. The latest episode in the pair's comic-strip adventures was released in France last month to coincide with the 50th anniversary of the first Asterix story, written by René Goscinny and illustrated by Albert Uderzo for the magazine Pilote. The new book, Asterix and Obelix's Birthday: The Golden Book, is the 34th in a series...
...Asterix's success presents a problem. How can a huge commercial hit continue to represent the little guy? Asterix is not just the biggest comic-book star in France these days, but in the whole of Europe. Asterix merchandising is big business, from video games, plush toys and shampoos to, yes, even McDonald's Happy Meals. (Read "Hooked on McDonald...
...just talking to the head of the studio who said they are only 25% through the campaign for New Moon. And the tracking on the movie is ridiculous. Even random celebrities are asked, What do you think of Twilight? It's insane. I remember saying at Comic-Con last year that I didn't know where it could go from there. I didn't know how much bigger it could get. I guess this time they are getting guys to watch it. Guys were the only other place left...
...wondered if it isn't simply in the French blood to root for an underdog taking on authority figures. Generations of French children have been enamored with traditional Guignol puppet shows, in which the protagonist, Guignol, fights with a rotten, bumbling policeman. The nation is also obsessed with the comic-book hero Asterix, a puny but cunning Gaul warrior who always gets the best of Julius Caesar's Roman armies despite being overmatched and outnumbered. (Read "Asterix at 50: A French Comic Hero Conquers the World...
...show’s peripheral elements serve to provide a solid background to its comic madness. The lighting design of Tiffany M. Bradshaw ’10 contributes effectively to the mood, despite a chaotic and disorienting series of color changes near the finale. The gaudy Elizabethan costumes, created by Pugliese, further add to the production’s merrily boisterous feel...