Word: comicalities
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...Israel. U.S. counterintelligence agencies are working harder than ever to hit back at spying, hoping to slow a growth industry. Groups for and against Star Wars woo the public. The City of Brotherly Love is plagued by racism. Mobile youth gangs roam from Los Angeles. Cartoonists offer more than comic relief...
...really an excuse for dressing up and having a party." A 3-D, three-level party, at that. While the film is projected onscreen, Rocky regulars mime each character's words and gestures in meticulous drag onstage, and the audience talks back to the movie and, on cue, scatters comic props throughout the theater. This is movie mania at its participatory best: a nationwide epidemic of I'amour...
...characters they've known all their lives." All the newspapers ran the cartoons, but only 300 published as well an advertisement by the cartoonists asking readers to send donations to USA for Africa. Originals of last week's strips will be auctioned at an art exhibit, and a book, Comic Relief, is due out this spring...
Director Gordon Davidson gives the play a bristling, relentless staging, with full awareness of the comic possibilities in Dick Cheney's glum realism and Donald Rumsfeld's chipper heedlessness--and of the shadowy hints of tragedy in Colin Powell's ambiguous role. Stuff Happens may be overlong, but it is often very good theater--especially when it is, as it were, on the record, re-creating the known absurdities (and apparent lies) of Establishment figures enabling a mysteriously driven leader. Power, in this play, does not exactly corrupt, but it does render people giddy with their essentially unchallenged ability...
This year, in a summer full of remakes and comic-book movies, documentaries are getting even more attention. They also have the feel of Hollywood movies: less docu-, more -tainment. And after half a dozen Bush-bashing agit-docs last year, the plexes are suddenly short on political nonfiction. If there's a Fahrenheit 9/12, it might be Adam Curtis' The Power of Nightmares, a thoughtful, corrosive analysis of political and religious fundamentalism that won cheers at last month's Cannes Film Festival--but its U.S. release will probably be deferred until 2006. For now, the emphasis is on personal...