Word: comicalities
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...lines, the range of emotion is rather astounding. Most famous are the expressions of distress or surprise whose accompanying exclamations - BAW! WAH! YOW! -- have become as iconic to comix as sweat beads and stink lines. Together, the Stanley/Tripp team formed one of the longest, most productive relationships in comic's history. Kids should not be without at least one volume...
...Comparing the Nick Mag comics issue with "Little Lulu" reveals some interesting similarities and differences. The use of licensed characters is one thing the two share. I'll admit to having a knee-jerk negative reaction at seeing Spongebob Squarepants and Jimmy Neutron, two characters who started on the Nickelodeon TV network, with their own strips. Synergistic marketing makes me queasy. But it's easy to forget that Lulu was already a star of other media and advertising campaigns at the time of her comic book appearance. What the creators do with the characters matters most, as proven by Lulu...
...very noticeable difference between the two books is the vastly increased level of visual sophistication in kid's comics. Where "Little Lulu," and most every kid's comic of the time, maintains a strict grid structure for a layout, and simplified, "cute" characters, the Nick Mag comics explode with a variety of visual styles. Craig Thompson's "Juanita and Clem" strip takes the reader's eye on a roundabout, tour of the entire page as Clem, a frog-like creature in a purple suit, searches for water to pour over Juanita's flowers. Scott McCloud, who's seminal book "Understanding...
...course the one thing that remains consistent over the years of kids comics is their focus on humor, though the styles have changed. Where "Little Lulu" derives its humor from situational comedy, the Nick Mag strips clearly exhibit the lasting influence of "Mad" (which first appeared in 1953) and its distanced take on very nature of things like "Little Lulu." Perhaps the funniest piece in Nick Mag's special comics issue is Michael Kupperman's "Worst Comic Book Heroes That Never Existed," a gallery that includes Citober, the invisible, silent robot whose adventures were "mostly people saying 'Hey, where...
With chic cheek-bones, a jawline that could slice bologna and a warm voice that could go shrill in odd moments, Carole Lombard was perfect casting for this 1934 romp, directed by Howard Hawks, about a Broadway director (John Barrymore in all his spuming comic majesty) and the actress who was his protege and is now his career lifeline. The film was a career maker for Lombard, who died in a plane crash...