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...similar descent takes hero Kakihara, (Japanese renaissance everyman Tadanobu Asano) to a blissful death in Ichi the Killer; in the modern Japanese cinema, death seems the only way out. This all-star gathering of evildoers unites ultraviolent comic artist Hideo Yamamoto, from whose manga the film was created, and screen violence helmer Miike Takahashi, who created last year's cult sensation Audition. Kakihara is a sado-masochistic punk gangster caught up in an underworld where dysfunction speaks louder than love. When his yakuza boss mysteriously disappears, Kakihara hunts for his abductor. In the process, he turns a mansion into...

Author: /time Magazine | Title: Asia's New Cinematic Values | 4/8/2002 | See Source »

According to Arad, the maturation of "comic-book geeks" into powerful artists like Singer, Ang Lee (who will direct The Hulk) and Tim Burton (who directed the first two Batmans and is penciled in for Superman) has coincided with the technological developments. "The last four years' advances have made all the difference," he says. The Britain-based special-effects house Framestore, which worked on Blade 2, says that the film required 600 effects shots, against the movie average of around 50. Tom Roston, senior editor for film magazine Premiere, believes that comics give studios "intelligent" blockbusters: "Studios want...

Author: /time Magazine | Title: Hero Worship | 4/8/2002 | See Source »

...Hollywood is profiting from the comic book industry - the forthcoming $139 million Spider-Man is expected to vie with Star Wars 2 as the summer hit - the comics business sorely needs the movies. Marvel, owners of famous properties including Spider-Man and The X-Men, even filed for bankruptcy (it has since recovered) in 1996. Before The X-Men movie, says Marvel's editor-in-chief Joe Quesada, the entire industry was in freefall, losing 7% to 10% of its readers every month...

Author: /time Magazine | Title: Hero Worship | 4/8/2002 | See Source »

Once again Hollywood has turned to comic books for plot, character and box office power. Despite the initial success of Warner Bros.' Batman franchise (the first installment in 1989 grossed $413 million on a budget of $35 million, but by 1997's Batman & Robin that had dwindled to $130 million on a $110 million budget), successful comic-book adaptations were few and far between. Judge Dredd, starring Sylvester Stallone, in 1995 was the low point, losing around $40 million. Now though, the cinematic landscape has changed. The vampire-hunting Blade grossed over $112 million in 1998, while...

Author: /time Magazine | Title: Hero Worship | 4/8/2002 | See Source »

Aficionados of the art form understand Hollywood's fascination with comic books. As Stan Lee, creator of such famous characters as Spider-Man and the Hulk, points out: "These stories are a chance to relive the feeling you had when you were young and dazzled by fairy tales filled with giants and monsters. And now we finally have the cinematic technology to do them justice." Lee's innovation was the creation of (his words) "superheroes with superproblems." Marvel Comics' film division CEO Avi Arad - one of the key players in the movie adaptations market - believes their humanity gives supermen...

Author: /time Magazine | Title: Hero Worship | 4/8/2002 | See Source »

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