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Word: comicality (lookup in dictionary) (lookup stats)
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Hodgman also commented that he used to think that “it was not okay to be funny...I never considered myself to be a humorist or a comic writer… until the Daily Show,” he said...

Author: By JOANNE S. WONG | Title: Boston Book Festival a Nerd Paradise | 10/25/2009 | See Source »

...health reasons - "They got sick of me." He clicked in Detroit, though, with his first TV kids' show in 1953. Supported by puppeteer Clyde Adler and a crew that provided the laughter (Sales rarely worked before a live audience), he adapted the hip lunacy of TV's avant-comic Ernie Kovacs to his own sunny personality, frequently telling his viewers, "I love you and give ya a big kiss." They returned the affection. Lunch with Soupy Sales soon gained converts of all ages and went national in 1959. For a brief spell in the early '60s, he was a prime...

Author: /time Magazine | Title: Farewell to the Pieman: Soupy Sales, 1926-2009 | 10/23/2009 | See Source »

...leather jacket, joins the freak show, and meets the inevitable circus love interest. While Darren woos his half-monkey, half-frumpy high-school freakheart, Steve joins the dark side and starts killing former teachers. When their final dramatic confrontation takes place, Steve explains to Darren with comic seriousness that the Vampaneze think he’s “awesome”: “They say I have a destiny, or whatever.” Like many of their interactions, this climactic meeting induces more second-hand awkwardness than it does tension...

Author: By Alex E. Traub, CONTRIBUTING WRITER | Title: Cirque du Freak: The Vampire’s Assistant | 10/23/2009 | See Source »

...more obvious moral points about diversity: as a vampire who has lived for 200 years, he philosophizes that “life may be meaningless, but death I still have hope for.” In these sober moments, Reilly showcases his great range, moving beyond his comic roles in “Step Brothers” and “Talladega Nights,” and lifting the film to a more elevated register...

Author: By Alex E. Traub, CONTRIBUTING WRITER | Title: Cirque du Freak: The Vampire’s Assistant | 10/23/2009 | See Source »

...generate ardor for only so many other humans. The company has recently made moves to find story lines and characters elsewhere, paying $4 billion to buy Marvel Entertainment merely to get access to some of its lesser superheroes. (The big ones, like Spider-Man, are already spoken for.) Comic-book characters can't give concerts or go to a meet-and-greet or record songs for Disney end credits. But at least Thor and Captain America won't be caught in compromising situations by a camera phone...

Author: /time Magazine | Title: Making New Mileys: Disney's Teen-Star Factory | 10/22/2009 | See Source »

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