Word: comicality
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...military prison guards in Abu Ghraib, near Baghdad, are unmistakable, almost as much as the painter's style. The Colombian artist Fernando Botero is, by his own admission, best known as "the painter of fat people," and his American soldiers and Iraqi prisoners are as rotund as his comic ballerinas. But there's no humor here. His 48 paintings and drawings of Abu Ghraib have a haunting grimness that "came out of the heart," Botero told TIME. On a flight from Bogotá to Paris last November, Botero saw an article on the abuses and was inspired to pull...
...Comic as the scene appeared, the tinny noise and dimmed chamber were depressingly apt metaphors for the goings-on in official Washington. In a spectacle of cross-accusations and intraparty squabbling that was politically bloody even by the capital's standards, legislators and Ronald Reagan finally reached agreement on a budget resolution that set spending targets for the fiscal year beginning Oct. 1. Senate and House negotiators worked late into the night, and Reagan, in one spectacular heave, sandbagged the Senate leadership of his own party. Almost no one was happy with the watered-down document that emerged, and everyone...
...most remarkable aspect of Director Robin Lynn Smith's production is the showcase it provides for Kathy Bates, 37, who since her Tony-nominated performance in 1983's night, Mother has firmly established herself as one of the nation's foremost character actresses. Although Bates is capable of gothic comic excess, here she underplays the mother as a frustrated housewife, aware of a larger world of culture and glamour outside somewhere but awkwardly uncertain about just what she is missing. Bates perfectly balances the ruthless selfishness of the mother's ambitions, and her shameless attempt at larceny to fulfill them...
...faces of the age: Churchill, Truman, Nehru, William Faulkner, Thomas Mann and Ezra Pound. He caught them with an economy that satisfies the requirements of design and psychology in the same camera angle, as when he found the egg-shaped perimeter of Nikita Khrushchev's head sweeping to a comic climax in the dark hole of his open mouth...
...impudent eloquence in body language. He became a film star as the little guy with false bravado who lucks into hero status. That's the formula here, but this time Chow doesn't take center stage until the last half an hour. Instead he uses his old comic style--mixing deadpan delivery with wild visual gags--to create an elegant directorial approach...