Word: comicality
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...accident but from inner strength? If a person achieved greatness rather than having it thrust upon him? If he found a mission, focused his energy, marshalled his talents and just did it? Then his triumph would be sweet indeed: the fulfilling of a resolve or a work ethic, that comic-book readers or movie audiences might recognize in themselves. He'd make a hero of himself, and that would be more than super...
...soars through the night sky, disrupts military aviation, wages holy war against those twin bastions of evil, terrorists and corporate bigwigs. He's Tony Stark (Robert Downey Jr.), zillionaire industrialist, and he arrives accompanied by the POW!, BANG! and KA-BOOM! suitable for a movie based on a comic book, but with lots more intelligence than the genre usually demands. It's Iron Man to the rescue, yanking movies and the worldwide box office out of its months-long doldrums and into the stratosphere...
...beginning of Iron Man - directed by Jon Favreau from a script by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway - Tony Stark is nearly a cartoon villain, though he's drawn in the bold, confident strokes worthy of a '60s Marvel Comic cover by Jack Kirby. He has a Mephistophelean goatee and a glint in his eyes that suggests this former boy wonder is a genius at wasting his genius. He's a devoted practitioner of pride, lust and avarice, to name the fanciest of your deadly sins. This is a man who has got it all: wealth, power...
...saying that Iron Man (actually, as Tony says, "Gold-Titanium Alloy Man") is some gigantic Gandhi. Nonviolent resistance is a sanctified political strategy, but as the key to Act Three of a comic-book movie, it kinda sucks. For Stark, his cool new gadget is both a fun toy (he can fly inside it, attracting the attention of military planes) and a weapon (for the climactic face-off with Iron Monger, a larger version of Iron Man). These are the episodes, executed with plenty of technical panache, which will keep young eyes stuck on the screen this weekend. Kids will...
...drawn cartoons for The Crimson, but painting is where his passion lies. His work for the Lampoon is one of his proudest achievements at Harvard, but Powers enjoys painting because his work doesn’t have to fit into a niche. While growing up, Powers drew lots of comic strips, with Tintin as an early inspiration. But with his arrival at Harvard, his interest in painting intensified. He credits the faculty of the Visual and Environmental Studies (VES) department—including Nancy Mitchnick—and his fellow students with helping him develop his style...