Word: comicality
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...reminder of the closest parallel between modern politics and comedy: both are startlingly devoid of women. Why is this? There are few holdout “man’s jobs” nowadays. The priesthood? University presidency? Women demolished those glass ceilings eons ago. So why do female comics and female politicians remain rare enough that there are still forums on how to get more of them? Comedy and politics have a lot in common. Both are great ways to pick up chicks—just look at Governor Spitzer. Or Ellen Degeneres. Both require spending time...
...early scenes, fastidious viewers may be wearied by a glut of comic references - to movies of the '50s (The Thing from Another World) and the '70s (Apocalypse Now) - that should probably be deleted from the anything-for-a-joke book. The movie also briefly and unnecessarily invokes the voices of Henry Kissinger and JFK. But ransacking pop culture is what cartoons do, and not just the gag-strewn Shrek movies. Clampett's Horton Hatches the Egg has a Katharine Hepburn bird, a Peter Lorre fish (that commits suicide!) and the Horace Heidt novelty hit "The Hut Sut Song." Even...
...film also defies genre classification,at times aspiring to noirish suspensewhile also achieving a darkly comedic undertone.It’s pleasantly surprising that themovie’s performances are so emotionallyengaging, given the somewhat erratic tone.“The form is artificial and comic, but theacting is really modern,” Sachs said.Cooper was also pleased at Sachs’ decisionto portray the character of Harryrealistically. “In the beginning we weregiven the idea to give this a lighter feelthan where we could have gone, but atthe same time to lay the moments with asense...
...unapologetically feel-good movie is the work of stand-up comic and native Ch'ti Danny Boon, who plays the role of Bailleul. Boon has made no secret that his motive was to dismantle and mock French prejudices about the north and its inhabitants. As the box office figures show, French cinema lovers are lapping that effort up. But there's more at work than simple entertainment. "This movie is doing what [author Marcel] Pagnol did for the Provençals: showing that people broadly considered buffoonish and stupid are actually very interesting, alluring, and deeply human," says Patrice Languetif...
...there has been any foul play. The drama is streamlined, and the shifting allegiance of Sister James is mirrored by the audience’s confusion over which account to believe. After the intensity of the dialogue, Sister Aloysius’ exaggerated sense of decorum infuses a bit of comic relief into the script. Wright’s production succeeds as a worthy representation of a grave parable...