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Word: comically (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...harangued. And when O'Casey's outcast street figures raise their voices in a dream of fair Dublin, there is a sudden sense of a city's voice upraised. But things seem oftener picturesque than intense, and windy rather than Aeolian. The finest moments have the comic smack and grizzle of Juno. A trio of codgers snort and wrangle gloriously, and go right on snorting and wrangling while they crouch on the floor to avoid what may crash through the windows. When one old boy claims St. Patrick for a Protestant, when another argues evolution, because monkeys...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 9, 1956 | 1/9/1956 | See Source »

Moreover, this reinforces the fact that O'Casey's true genius is comic, that his tragedy-save perhaps in The Plough and the Stars-verges on sentimentality or melodrama. It is laughter that really soars in Red Roses, not feeling or poetry. The verbal gifts are there. But too often they miss magic by striving for it, or seem almost to be spoofing the Irish love of words. But where Synge, in The Playboy, could spoof that love and in the very process make prose beautiful, a more reflective O'Casey mingles honest rhythms with gaudy ones...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 9, 1956 | 1/9/1956 | See Source »

...year's record advertising, up more than 10% over 1954, was one big reason for the newsprint shortage. Newspapers were scrounging extra supplies from such sources as music publishers and slump-stricken comic-book proprietors; they were also borrowing from each other...

Author: /time Magazine | Title: The Press: Shortage | 1/9/1956 | See Source »

Well-knit Work. The rippling second movement gave no clear idea of tonal home base, but it developed a comic effect as it progressed through subtly different rhythms. The third movement, again in pensive tempo, gave the soloist another long melody that breathed nostalgically of twilight among ruins, then let it sigh into a noontime atmosphere with a passage in octaves, then into a recitative of murmurous beauty, where Oistrakh's instrument spoke in unevenly repeated notes. The solo cadenza started with simple triads in different keys, then confronted them with each other in a clashing dissonance, then became...

Author: /time Magazine | Title: Music: Shostakovich Premi | 1/9/1956 | See Source »

Diabolique. A wonderful little horror comic in French-with a moral: you can lead a corpse to water, but you can't make it sink (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jan. 2, 1956 | 1/2/1956 | See Source »

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