Word: comicly
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...bioengineered superbabe on the run from a military program in a dystopic year 2020 after a terrorist attack has wiped out America's computers and started a depression - whew! - Alba is to "Dark Angel" what Keanu Reeves was to "The Matrix." And that's a compliment. Even if the comic-book-y script doesn't let her exercise many acting chops, she's perfect for this heavily physical action role, not just easy on the eyes but possessed of the grace and poise that lends her a stature greater than her pint-sized frame. Produced by effects master James Cameron...
...instead. But here is what you will be missing: the teen-heavy WB network growing up (ever so slightly) with a gently funny, unsentimental comedy-drama about the tug-of-war between a 32-year-old mother and her 16-year-old daughter. Lauren Graham ("M.Y.O.B.") is charming and comic as a single mom, with parent issues of her own, trying to hold her life together while managing a New England inn full of slightly loopy characters. (Between this and the B&B on "Dawson's Creek," the WB seems to be aiming to be the New England Hospitality Industry...
Unlike Stewart, Kalfus mostly refrains from judging the subjects of his comic eye: Joyce and Marshall Harriman, a fictional couple mired in hateful divorce litigation, yet still living together in non-fictional New York City during and after 9/11...
CASTLE WAITINGLINDA MEDLEYA giant tome of some 457 pages, with more chapters being printed as a regular comic series, Castle Waiting creates a vibrant fantasy world not unlike The Lord of the Rings' Middle-earth but with a focus on the lives of women. Gorgeously illustrated in black and white, the book combines Christian and mythological imagery, including a bearded female saint, Rumpelstiltskin and various animal-headed characters. One of several intertwined plots follows a woman as she travels toward the titular castle so that she can safely deliver the baby of her dead lover, who may be an ogre...
...place to be seen was on the stage of Cambridge's Footlights Club. When Cleese and Chapman entered the Footlights around 1960, it had a glittering comic cachet. That was due largely to Peter Cook, who was a god to the younger members, his monologues passed down by oral tradition in the pre-tape era. David Frost, a Footlights secretary, would soon launch himself as a TV comedy mogul with That Was the Week That Was and The Frost Report, for which he drew on Oxbridge grads, including all five British Pythons, as writers and performers. (Later Footlighters included Emma...