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Word: comicly (lookup in dictionary) (lookup stats)
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Dirty Pretty Things can't cure the world's ills and doesn't try. It's a movie, not an international treaty. But its dour comic take on misery, and on the strategies people concoct to outsmart it, improves the world of summer films. And you don't have to leave your brain at the door...

Author: /time Magazine | Title: Summer Raises Its IQ | 7/28/2003 | See Source »

...Andrew D. Arnold Raison D'etre: Rows of comics at the Comic-Con International...

Author: /time Magazine | Title: The Art of the Con | 7/25/2003 | See Source »

...story about being born on a desert island as the product of a Japanese WWII pilot and two American army nurses. The second remarkable moment took place courtesy of Frank Miller, author of "The Dark Knight Strikes Again," who has in recent years become far more interesting as a comics gadfly than a creator. Prior to handing out the "Best Graphic Album - New" award (which rightfully went to Lynda Barry's "One! Hundred! Demons!") Miller lamented the rising cost of a single comicbook. Noting they have reached upwards of $3 a piece, "It's just not working," Miller said...

Author: /time Magazine | Title: The Art of the Con | 7/25/2003 | See Source »

...start with just the comix, which remain the heart of the show, even if they must share equal time and space with booths like the one selling swords and weaponry. San Diego Con is the only place where nearly all the American comic publishers gather under one roof. Consequently it becomes like a dense star that pulls creators of every genre into its orbit. Fans can go crazy trying to find them all, from the venerable Will Eisner (who was previewing his latest book "Fagin the Jew") to Harvey Pekar (stumping for the "American Splendor" movie) to Alex Ross (previewing...

Author: /time Magazine | Title: The Art of the Con | 7/25/2003 | See Source »

...Though the Comic-Con International may be inaccurately named, being only 50% comics-related and not very international, it shouldn't be missed by comix enthusiasts. Its giant tent has enough going on under it for anybody to find something of interest. The very thing that aesthetes complain about, the wild mash-up of comic books with other products, becomes one of the strengths of the show. Comix become instantly re-contextualized as the pop-culture medium they always were. It's nice to climb down from the upper atmosphere once in a while and wallow around...

Author: /time Magazine | Title: The Art of the Con | 7/25/2003 | See Source »

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