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...third important group of characters. These are the "mechanicals," the clowns of A Midsummer Night's Dream. A band of lower-class artisans, their only goal is to rehearse the play they hope to stage before Duke Theseus in honor of his wedding. The play's most richly, broadly comic scenes fall to these characters, and the actors in this production pull off them off with sheer genius. As individual comic actors, the players are consistently hilarious; as a group, they forge a bond of buffoonery that transcends description. Their crowning glory--the final scene of the play, in which...

Author: By Susannah R. Mandel, | Title: A Luminous Open-Air Performance of One of the Greatest Comedies of All | 5/9/1997 | See Source »

...course, their bond with one another doesn't matter all that much if they don't also connect with their audience. McNally wrote Frankie and Johnny early in his career, before Master Class and Love! Valour! Compassion! made him a latter-day B-way comic bard. Here, he plays the beginner's trick of substituting theme or plot with sparkling layers of verbal gift wrap...

Author: By Nicholas K. Davis, | Title: The Cook, the Waitress, Her Bed and Her Toothbrush | 5/9/1997 | See Source »

...really sort of comic, because the Harvard repairman that was there was dead set on hot-wiring the elevator but was not qualified or licensed to do it," Pereira said...

Author: By George T. Hill, | Title: Hilles Library Elevator Mishap Traps Student | 5/5/1997 | See Source »

...Silverstein as Ken, the anxious lawyer, also shines, particularly during his bout with deafness: his superbly comic expressions render even the old gag of mishearings and misunderstandings a la Cuthbert Calculus extremely funny. Daniel Goor '97 almost steals the second act as the sardonic, tough-talking Officer Welch, but Amblad's Lenny makes a sweeping comeback with the rip-roaring rigmarole that brings the farce to its zany climax...

Author: By Lynn Y. Lee, | Title: How to Make 'Rumors' Flourish | 5/1/1997 | See Source »

Some of the multiple-player scenes did succeed in pacing themselves successfully. Such was the case in a scene from The Taming of the Shrew: Steindler, a ferocious Kate, and Hanson, as a positively alarming Petruchio, managed somehow to give the comic scene a deeply sinister overcast. A more complete success was the closing selection, Lady Macbeth's famous sleepwalking episode from Macbeth, in which Staniunas as the somnabulant homicide and Wood as her Gentlewoman gave a deeply disturbing performance. The JCR's lighting was fully exploited to create a frighteningly shadowy scene...

Author: By Susannah R. Mandel, | Title: Wood Offers Brash Showing Of Verse on Bard's Birthday | 4/29/1997 | See Source »

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