Word: comics
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Dates: during 1950-1959
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...from the catacombs to Chartres in the Fogg Small Lecture Room. Professor Owen brings England from Peterloo to present lingering over the Victorian ripeness. His history 142b will be held in Longfellow Alumnae Room. Time editor Louis Kronenberger, also Soohie Tucker Professor at Brandeis, will discuss, in English 165, comic drama in Emerson...
Bovril & Euripides. This strange hero's private life is told with all the rhetorical flimflam of a Victorian romance, but with the shocking -or comic -difference that what should be the heroine is a boy. Except for this novelty, all the period's literary conventions are present. Crabbe's heterodoxy is an "alabaster" youth named Kemp, as "pure as a moonstone," whose hair had turned white the month after he was sent down from Oxford (for an unspecified offense). Reduced to the martyrdom of earning his keep as a telegraph messenger, Kemp goes blind. Crabbe installs...
There are those who would question this analysis. There are those who would say: 1) that there is nothing more in this play than is contained in the beer glasses raised in the final scene, that the movie is essentially comic. There are those who would say: 2) that the answer to the query of the title is summarized in two words "Swing it" (in the best metaphysical sense of the term). In answer to these cynics, who will remain nameless at this time, I can only say 1) that they must remember that there is often a thin line...
Since the initial review of Nabokov's Lolita [Sept. 1], TIME has scarcely missed an issue without a reference to that highly publicized parcel of pornography. The association proposed in your Dec. 29 Press section between comic-strip characters Popsie and Poteet and Nabokov's nymphet is apt, but where next will she appear? In National Affairs...
Henry V, which last night opened and closed its sold-out Boston engagement, emerged in Michael Benthall's production as a great big simple-minded heroic-comic pageant. Shakespeare is actually the least simpleminded of dramatists, and even this frankly jingoistic exercise in banner-waving is also a subtle, even ambiguous, study of kingship and the attributes required for it. The pep-rally ambience, however, is much more vividly dramatized, and probably tends by its nature to overshadow the "deeper" element. At any rate, the wooing scene was delightful in the Vic version, and the rest was at least pretty...