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Word: comics (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Bruce was a stand-up comic, a hipster, born in Long Island but nourished on the street culture of the lumpen bourgeois urban Jewish ghetto. He played the low-life joints and jazz clubs of L.A. and, later, the nightclubs and concert halls of New York, Chicago and San Francisco. For a few years Bruce enjoyed something approaching a mass following among college students and "sophisticated" urban audiences and earned two and three grand a week. He became a liberal and cultural cause cetebre as city police and D.A.s began to dog him and his performances across the country with...

Author: By Willy Forbath, | Title: The Re-Making of Lenny Bruce | 7/5/1974 | See Source »

Malizia is overtly comic only in a few vignettes of family controversy. But people of very special-or very broad -tastes may find it intriguing in its nasty little...

Author: /time Magazine | Title: Cinema: Nastiness, Italian Style | 7/1/1974 | See Source »

...cast is laden with all sorts of luminaries (Harry Belafonte, Calvin Lockhart, Richard Pryor, Rosalind Cash) and among them there are a couple of nice but wide comic turns: Roscoe Lee Browne as an enjoyably fulsome and hypocritical politician, and Flip Wilson as a preacher who exhorts his congregation, "We need more romance and less hot pants." Cosby is affably anxious, but Poitier's idea of comic acting is to bulge his eyes out, as if doing a Mantan Moreland impression. It is said of some movies that they look like photographed stage plays. Uptown Saturday Night looks like...

Author: /time Magazine | Title: Cinema: No Show | 7/1/1974 | See Source »

...limp and bland that it comes as a wondrous surprise that he has either the will or strength to climb to Juliet's balcony. Mercutio, that man from whom words flow like liquid light, emerges in David Rounds' rendering as little more than a stand-up nightclub comic...

Author: /time Magazine | Title: The Theater: Bard Becalmed | 7/1/1974 | See Source »

...this enveloping character of metamorphic fantasy that Miró responded. A painting like Landscape (The Hare) is its reduction: the horizon line drawn clean as a wire, yet with an irrational undular flourish; the absurd and soulful hare, like a creature from a comic strip. Its gaze is fixed on what appears to be a rifle ball, ricocheting in a spiral from the gun of a disembodied hunter. The color, too, is unique - the broad planes of earth and sky like a flag, interspersed by echoing flecks of red, or ange and yellow on the body of the hare...

Author: /time Magazine | Title: Joan Mir | 7/1/1974 | See Source »

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