Word: comics
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Dates: during 1970-1979
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...Dracula is the definitive male chauvinist pig. He wants to possess," says George Hamilton, who plays the sanguineous count in the movie Love at First Bite. In this comic version of Bram Stoker's 1897 play, Dracula turns up in Manhattan, where he gets mugged on the street, assaulted by an admiring female on the subway and caught in a brownout. Enough, one might say, to make a count go batty...
...bluesy beat of his quintet. Bending low over his sax, Rollins, 48, would pause for a fraction of a second and then come up swinging: weaving countermelodies inside and outside the harmonies, loosing flying clusters of arpeggios that left his sax all but smoking, ending with a comic bebop flourish, head thrown back and sax brandished triumphantly...
...Swiftian wit never flags. She introduces one Rabbi Leon Lieb, who owns a chain of nursing homes and uses cajolery, threats and his-and-her fox cloaks as he obsessively tries to transform his son-in-law into a proper husband. But the newlyweds insist on going their own comic way: secreting a poet's mad mother in one of the nursing homes, serving as interior decorators to a psychotherapist who conducts his sessions in coffins. When Sudah renounces art for yoga, embracing celibacy as well, Mara is demoted from wife to sister. Disgruntled, she continues to work...
...screwball fantasy about a Los Angeles Rams quarterback (Beatty) who dies and comes back to life as an eccentric millionaire. The movie has everything going for it: big laughs, populist politics, billowy sequences set in heaven, a murder plot, a climactic Super Bowl game, a supporting cast of choice comic actors (Charles Grodin, Dyan Cannon, Jack Warden) and, best of all, a touching (but P.G.) romance between the hero and Co-Star Julie Christie, who communicate largely through passionate eye contact, the heat of which has not been felt since Clark Gable and Vivien Leigh met in Gone With...
...collaborators. May's work on the script is her wittiest since A New Leaf: she has spiked a sentimental story with misanthropic jokes about money, marriage and adultery that are not in the old film. Grodin and Cannon, who have May's sharpest lines, give impeccable, dry comic performances. Some of the humor?involving batty butlers and rough football players?is knockabout, but the gags never go on too long...