Word: comics
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Dates: during 1970-1979
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...approached a blue-footed booby that had decided to nest directly in our path. But even the guide, a serious young Australian biologist named Bob Close, could not resist the temptation, along with the rest of us, to poke a camera right in the face of the comic bird with the garishly colored webbed feet. The booby blithely continued to sit on her two eggs while the cameras clicked away. Said Close: "You would think that after having hundreds of tourists parade by them they would have learned to pick a more secluded place to nest. But they really seem...
...artists were comic-strip heroes, Horace Clifford Westermann would be Popeye. The gimlet stare, the laconic speech, the cigar stub jutting like a bowsprit from the face, the seafaring background and fo'c'sle oaths, the muscular arm-all are there. He signs his work with an anchor; and Westermann's age, 55, is about right too. What the comparison lacks, of course, is the talent. Westermann's retrospective of 59 sculptures and 24 drawings, which runs until mid-July at the Whitney Museum in New York and then goes on a tour of museums...
Three years ago British Playwright Alan Ayckbourn's The Norman Conquests came to Broadway and failed to conquer. Though a huge critical and commercial hit in London, this comic trilogy barely limped through a six-month New York City run. It was not difficult to figure out what had gone wrong: unlike such other recent imports as Peter Shaffer's Equus and Simon Gray's Otherwise Engaged, The Norman Conquests had been given an indifferent production. Miscast American actors clobbered the wit out of Ayckbourn's words. Now, through PBS's Great Performances series, The Norman Conquests has a second...
...England's reigning poet laureate, displays a light touch at vers de société; Robert Graves is captured in several nonmythic moods. A couple of songs by Nöel Coward read less jauntily than they sing. Auden the anthologist did not let Auden the splendid comic poet into his book. Amis generously corrects this blunder...
...sign that the public is rebelling against these costly and cumbersome regulations is that they are being spoofed in that most popular graphic art form, the comic strips. Weidenbaum's walls are adorned with comics and editorial cartoons roasting everything from the ban against saccharin to the rising Matterhorn of forms to be filled out. In one strip, a weary Santa Claus complains about "all the environmental impact statements I gotta file for these flying reindeer...