Word: comics
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...Comic-Con audiences sank their fangs into two hotly anticipated vampire projects Thursday, as the makers of Twilight, the movie inspired by Stephenie Meyer's best-selling young adult novels, and True Blood, the new HBO show adapted from the Southern Vampire Mysteries books by Charlaine Harris, showed footage, fielded questions from expectant, sometimes hysterical fans and tackled the enduring appeal of the undead...
...Concluding unofficial Dracula day at Comic-Con was a premiere that proves vampire movies really won't die. Twenty-one years after the original hit theaters, Lost Boys: The Tribe, a sequel to the '80s horror film about a gang of teenage blood-suckers, screened in advance of its direct-to-video release July 29. Climbing out of the coffin with it are Corey Feldman and Corey Haim, stars of the original and now reality TV regulars...
...like Get Smart.) With a story assist from Reilly, Ferrell wrote the script with Adam McKay, a fellow alumnus of Saturday Night Live and director of two Will winners, Anchorman: The Legend of Ron Burgundy and Talladega Nights: The Ballad of Ricky Bobby. The new movie also explores the comic notion of man-child that goes back to the silent era (Harry Langdon's basic character was that of a deranged baby) and early talkies (the Three Stooges). But today they're everywhere - Ferrell played a pretty endearing one in Elf - which leaves the few remaining adult-male comedy roles...
...Directed by Adam McKay; rated R; out now So how did this farce, about two severely immature guys (Will Ferrell and John C. Reilly) forced to live together, earn its R rating? Actually, we can't say. Gross-out jokes aside, this is a minor entry in the grand comic tradition of grown men playing children and idiots destroying things...
...among these are Ferris' sister (Jennifer Grey), who just hates the way he gets away with everything, and the dean of students (Jeffrey Jones), who distills all the pettiness of spirit and smallness of mind in a teen's view of adult authority. Jones provides John Hughes with the comic mainspring he needs to launch himself successfully in a new direction. In The Breakfast Club and Pretty in Pink, Hughes portrayed adolescent angst in a fairly realistic light. But from the moment Ferris turns to the camera to address the audience, we know that realism is out. Ferris...