Word: comicstrip
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Sweating up the back pockets of traveling salesmen during the 1930s, the so-called Tijuana Bibles were the first truly "underground" comix. Pure pornography, these crudely printed eight-page pamphlets put popular comicstrip characters in more "adult" situations, expounding on the likes of Dagwood's obvious oral fixation. Later the comix artists of the 1960s used identical mixes of sex, racial stereotypes and pop culture for artistic and political subversion. But now, having inseminated the medium, porn comix seem spent. With dullness and utilitarianism, they whore themselves out to men who no longer find the Batman and Robin relationship satisfying...
Name three women cartoonists who worked from 1900 to 1950. Okay, just name one. Couldn't do it? Neither could I until reading a new, invaluable book, "The Great Women Cartoonists," ($24.95; Watson-Guptill Publications; 150 pp.; softcover), by Trina Robbins. Concentrating mostly on comicstrip and comicbook artists of the last century, Robbins uncovers the secret herstory that got left out from all the other millennial surveys...
...Mill's sexy, cat-suited "Miss Fury" strip stands out, as does Dale Messick's still-enduring "Brenda Starr." As a bonus, Robbins has dug up Messick's unpublished, earlier strip proposals. Robbins super-sleuthing has even uncovered Jackie Ormes, apparently the first African-American woman with a syndicated comicstrip, "Torchy Brown," that ran sporadically from the 1930s to the 1950s in black-owned newspapers...
When three flame emails burned up my mailbox I lost half my readership over a crack about Charlie Brown. In spite of Charles Schulz's "Peanuts" being the definition of a mainstream, co-opted comicstrip, it would seem that the cynical, iconoclastic comixcenti hold it as close to their hearts the rest of America. Could I have been wrong to dismiss Charlie Brown's 50 years of antics as a "crudely-drawn dwarf's repetitious bumblings?" As luck would have it a new book, "Peanuts: The Art of Charles M. Schulz," addresses just such doubts about the most popular comicstrip...
...free world, mad opthamologists aiming to give her a pupil transplant--and the fun would start. Before Sandy could even "Arf," Daddy would be on the scene in his 200-foot yacht, puffing on a dark Havana as he watched Punjab and the Asp contrive a properly nasty comicstrip zoom for the malefactors. It was a fun little game, and Daddy played it just right, cool and cunning and with just the faintest suggestion that he was enjoying the hell out of the whole show. Then he'd weigh anchor and take everybody over to South Africa to watch...