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Word: comixcenti (lookup in dictionary) (lookup stats)
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...people, according to organizers. Lasting four days, the San Diego Con, as it's known, spans nearly five football fields on two floors, hosting retailers, publishers, creators and fans. While it sounds like a comix Brigadoon, a magical island that appears just once a year, many in the comixcenti scowl at its mention, fuming at the mix of toys, models, movies, videogames, animation, trading cards, t-shirts and ancillary merchandise that they see as irrelevant junk. On assignment, your TIME.comix reporter was there for the first time, and has returned somewhat dazed but with a complex and not unpleasant experience...

Author: /time Magazine | Title: The Art of the Con | 7/25/2003 | See Source »

...Deitch, though he has worked in underground comix since the mid-1960s, has unfortunately achieved little of the mainstream recognition afforded such peers as Robert Crumb and Art Spiegelman. Considered by the comixcenti to be a master of the form, he may finally get his due with the commercial, retail bookstore release of his masterpiece, "Boulevard of Broken Dreams," (Pantheon Books; 192pp...

Author: /time Magazine | Title: The Transgressive Comix of Kim Deitch | 9/27/2002 | See Source »

...they see are cute girls and angsty-guys in short, enigmatic portraits of the West Coast's slowly-aging Generation X. But they don't get it. Eleven years ago Tomine (pronounced TOE-mean-ay) began self-publishing his comic, "Optic Nerve" when he was just sixteen, stunning the comixcenti with his mature style. It was soon picked up by the classy Canadian publisher Drawn and Quarterly, and the company has just collected the last four issues into a gorgeous hardcover, "Summer Blonde" (132 pp.; $24.95). The dust jacket, with its cut-out circle that lets a pretty girl peek...

Author: /time Magazine | Title: Adrian Tomine's "Summer Blonde" | 7/2/2002 | See Source »

When three flame emails burned up my mailbox I lost half my readership over a crack about Charlie Brown. In spite of Charles Schulz's "Peanuts" being the definition of a mainstream, co-opted comicstrip, it would seem that the cynical, iconoclastic comixcenti hold it as close to their hearts the rest of America. Could I have been wrong to dismiss Charlie Brown's 50 years of antics as a "crudely-drawn dwarf's repetitious bumblings?" As luck would have it a new book, "Peanuts: The Art of Charles M. Schulz," addresses just such doubts about the most popular comicstrip...

Author: /time Magazine | Title: 'Peanuts' Reconsidered | 12/4/2001 | See Source »

Williamsburg, Brooklyn, the ultra-cool alternate SoHo, makes the perfect location for an "underground" event about "underground" comix. About 150 people from the New York comixcenti gathered last Thursday in a cavernous performance-space-cum-bar near the East River for the second in a series of shows known as "Comics Decode." Taking another step into the realm of comix as performance, "Comics Decode" has comicbook authors read aloud a selection of their work and then take questions about it. Through its early steps "Comics Decode" exposes the challenges of bridging private and public art forms...

Author: /time Magazine | Title: Comix as Performace | 10/30/2001 | See Source »

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