Word: commander
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Dates: during 1980-1989
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...last count, the U.S. Air Force's North American Air Defense Command, the watchdog of all objects in orbit, listed 4,552 pieces of hardware-ranging in size from a Soviet space station to such bits of space junk as an astronaut's glove, stray cameras, and even nuts and bolts. In the coming years NORAD's job will become still harder. By the mid-1980s, the number of orbital objects may double, making it more difficult to tell what is up, and whether it belongs to friend...
...vitally important white official who immediately announced his support of the new regime was Lieut. General Peter Walls, 53, who led Rhodesia's bloody seven-year war against the guerrillas. At Mugabe's request, Walls agreed to retain the supreme military command and preside over the integration of Rhodesian forces with the guerrillas in the new national army...
...mansion's current resident, a decent but untested Southerner, listens to the ultimatum on the tape: If the U.S. does not make Israel withdraw from the occupied West Bank and East Jerusalem within 36 hours, a nuclear device concealed in New York City will be detonated by satellite command...
...nerve gas by exploding on ground impact or detonating overhead and releasing a deadly drizzle. According to John Erickson, a widely respected expert on Soviet military matters and director of defense studies at the University of Edinburgh, Kremlin battlefield doctrine calls for using chemicals against the West's command posts and airfields. Gases can blanket a wide area and penetrate buildings and fortifications, killing their occupants even though their exact location may be unknown to the attacker. Says Erickson: "A mixture of conventional and chemical attacks by the Red Army in Europe would give them a considerable tactical advantage...
...image of the hero on horseback -human intelligence bending brute nature to its command-was central to Renaissance art, and its main antique prototypes were the Marcus Aurelius, an equestrian statue in Pavia called the Re-gisole (long since destroyed) and the San Marco group. Almost all the major artists of the Renaissance, from Pisanello in the 15th century to Giambologna in the 16th, consulted the Venice horses; when Leonardo da Vinci was faced with the problem of designing a horseback monument to the Milanese warrior Gian Giacomo Trivulzio, he took them as his starting point, varying their massive poses...