Word: commander
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...60th birthday. Since 1949, NATO has provided for the collective defense of the United States, Canada, and their European partners. Today, NATO’s 26 member nations collectively contribute millions of troops, trillions of dollars of material and services, and entire libraries of intelligence information to a central command in Brussels, Belgium, while NATO military units are involved in regional security and peacekeeping developments in the Western Balkans, the Gulf of Aden, and Afghanistan...
...Nineveh, al-Hadba has vowed to push them back. "We reject the presence of the peshmerga," says Atheel Nujaifi, the party's leader and the presumptive governor of Nineveh. "We want the only force in Nineveh province to be a legitimate government force that follows the command of the Iraqi security forces." Top U.S. military commanders in Nineveh say Nujaifi's stance is just electoral bluster. But he insists he is being serious. Nujaifi says that as soon as he is sworn in and the new government is seated, he will request that Baghdad formally ask the Kurdish regional government...
...almost came to blows in the disputed area of Khanaqin, in Diyala province, after Iraqi troops tried to enter the mixed town. There are dozens of similarly contested zones in Nineveh. "It would be an ugly fight," says Colonel Brian Vines, the U.S. Army liaison to the Nineveh Operations Command, which oversees the province's local and national police as well as army units. "I think that in some places they're going to have to forcibly move [Kurds] out of these disputed zones...
Kurds say al-Maliki has been quietly rotating senior Kurdish officers out of army units stationed in volatile provinces, including Nineveh, and replacing them with Arabs. That's disputed by Major General Hassan Kareem Abbas, the Shi'ite commander of the Nineveh Operations Command. Kurdish officers have been replaced, the general says, but by other Kurds, a view supported privately by senior U.S. officers in Mosul...
...glaneurs et la glaneuse” (“The Gleaners and I”) is an investigation with traces of self-portraiture that explores the act of gleaning in rural communities, on the streets, and in the art world. The film demonstrates Varda’s command behind the camera and the trust she quickly gains with her subjects. Her capturing is not passive. She challenges those she films and attacks their inconsistencies. She brings forth passion and vulnerability.At a lunch conference with students at the Graduate School of Design, Varda was asked to give advice for budding filmmakers...