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...some astute suggestions; Netflix's suck. If, on the search line, you type in the documentary Joe Louis: For All Time, you'll be directed to the French omnibus film Paris, Je T'Aime. (T'aime is close to time, but the two movies have absolutely nothing in common.) Try The Monster and the Ape, a 1947 serial, and up pops the 2009 animated film Tinker Bell and the Lost Treasure. Recognizing that its Cinematch system isn't cutting it, Netflix established a $1 million prize for better algorithms, which has already been claimed by a coalition of programmers named...
...that pretty common, where you can't even get access to the songs you want to use? Oh yeah. Writer Scott Neustadter and I couldn't have more similar music tastes, and we loved, loved, loved the new Kings of Convenience album, but it didn't come out in time. A big theme for the film could have been one of their older songs, "Toxic Girl," but it didn't really fit any of the scenes because it was a little too much on the nose and told the story almost exactly...
That heart comes bursting out of Funny People, Apatow's intermittently engaging, 2 hr. 26 min. essay in schizo-cinemaphrenia. A transparent attempt to make a grown-up film, it's got two worldviews - one comically misanthropic, the other sloppily sentimental - that have little in common with each other. It's as if, halfway through, you went out for popcorn and mistakenly returned to an auditorium showing a different picture. And that second movie ends immolating itself. (Joel Stein on Judd Apatow: Judd, Seriously...
...exhibition also offers examples of Calder’s paintings, spurred by his visit to Piet Mondrian’s studio in 1930. The two artists must have had the primary color fixation in common: “Black and white are first – then – red is next – and then I get sort of vague. It’s really just for differentiation, but I love red so much that I almost want to paint everything red,” Calder said. The show concludes with several examples of Calder?...
...strategy with both personal and political roots, say advisers. On the one hand, the President, a former community organizer, is intellectually predisposed to focusing on common ground with his adversaries, not the differences. On the other hand, he is betting that the American people will measure success by counting the big wins, not by worrying over the detailed principles and proposals that were sacrificed along...