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...first cap of Sandoz nine years ago. Ken Kesey, the novelist who wrote One Flew Over the Cuckoo's Nest (1962), and Sometimes a Great Notion (1964), is--if one were to believe Tom Wolfe's chronicle of his recent life--responsible for a lot. Hippies, for example, communal living, flamboyant costumes, strange puns for people's names (like Stark Naked, or Mal Function, or Black Maria), new words (like "bummer"--a term borrowed by Kesey from the Hell's Angels), and mixed psychedelic happenings (with the difference that at Kesey's happenings--The Acid Tests--you were served...

Author: By Jay Cantor, | Title: The Electric Kool' Aid Acid Test | 10/19/1968 | See Source »

Their whole communal Merry Prankster life was an insult to the established order. They had placed a complex public address system in the trees that surrounded the house, and they soon took to broadcasting at the neighborhood: "This is non-station KLSD, 800 micrograms in your head, the station designed to blow your mind and undo your bind, from up here atop the redwoods on Venus." Or they would invite say all of California's Hells Angels for a visit to the community of La Honda...

Author: By Jay Cantor, | Title: The Electric Kool' Aid Acid Test | 10/19/1968 | See Source »

...alumni and friends. But their vital contribution must never obscure the essential quality of the institution: the university is a community of scholars, both teachers and students. Any tendency to treat a university as business enterprise with faculty as employees and students as customers diminishes its vitality and communal cohesion...

Author: NO WRITER ATTRIBUTED | Title: Conclusions of the Cox Commission | 10/9/1968 | See Source »

Relevant Ecumenical Love Personal Human Vocation Rich and Meaningful Implemental Dialogue Integrated In Terms of Crisis Authentic Grass Roots Witness Real Transitional Response Optional Chardinian Commitment Incarnational Communal Identity Christian Existential Liturgy Fulfilling Experimental Encounter I suspect that he would impress many clerics over, and all clerics under, the magic...

Author: /time Magazine | Title: Letters: Sep. 27, 1968 | 9/27/1968 | See Source »

Most of the Living Theater's pieces are exercises in the manipulation of crowd emotions. Whatever does not actively irritate is designed to produce a kind of mesmeric communal hysteria. One piece finds Julian Beck sitting cross-legged in the middle of the stage. In a voice of clerical monotony, he says "Stop the wars, now." Cast members in the aisles shout back in unison, "Stop the wars, now!" He repeats the phrase half a dozen times as the audience response grows in force. Then he switches to "Freedom-now," and on through a litany of total dissent...

Author: /time Magazine | Title: Repertory: Shock Troops of the Avant-Garde | 9/27/1968 | See Source »

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