Word: communing
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...Notorious jackass Corker Q. Picker ’02-’03 took the year off to live on a commune in rural Mississippi. “I just felt like it was the thing to do,” said Picker, who was booted by the Ad Board for punching Helen Vendler. But Picker’s distant location and striking lack of charisma didn’t stop Sally I. Klein ’02 from visiting last weekend and hooking up with him in a tent, thus drawing the ire of Jennnifer T. Cohen...
...side for the first time. The earliest, oil on canvas, comes from London's National Gallery and was painted in August 1888 as part of Van Gogh's preparations for Gauguin's arrival at the Yellow House in Arles, where the Dutch painter hoped to create an artists' commune. The second Sunflowers, on loan from the Seiji Togo Memorial Yasuda Kasai Museum of Art in Tokyo, was painted a few months later on a piece of a bolt of burlap bought for Arles by Gauguin. It is curiously muted and its authenticity has been questioned, but extensive research in preparation...
...attempts by the artists to learn from each other - one of Van Gogh's reasons for his commune - is evident throughout the exhibition. But what comes across more strongly is the inevitability of their eventual rejection of each other's artistic vision. Van Gogh works emotionally, using paint not only for color but to build up texture. Gauguin is more clinical, blending colors and interpreting what he sees, using scenes as grist for studio-based works...
Look, no one expects Summers to turn Harvard into a commune. In fact, I’ve spoken to many people—otherwise meek progressive types—who get a secret thrill at the prospect of Summers aggressively wielding tyrannical authority, and who relish the thought of Summers, say, sitting down with law school administrators and telling them to pack their bags for Allston. Such scenarios are appealing because there is a real need for greater centralization, a real need to end the chaos that masquerades as a “philosophy” of decentralization. It hinders...
...pink sheets and her son blue. Meanwhile her son, Stefan (Sam Kessel), has introduced Anna’s son Tet (named for the Vietnam war offensive) to the joys of plastic toys. It is worth the price of admission alone to see this child, raised in a peace-loving commune, pretend to torture another child with electrodes—for fun—and it is a tribute to both the children’s skills as actors and Moodysson’s skill as a director that the scene ends up funny...