Word: communionism
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...film's true shock lies in Gibson's vision of what is most important in the Jesus story, in the relentless, near pornographic feast of flayed flesh. Gibson gives us Christ's blood, not in a Communion cup, but by the gallon. Blood spraying from Jesus' shackled body; blood sluicing to the Cross's foot. This Passion begins just before Jesus' arrest. It ends with a blink-length Resurrection. The bulk of his ministry, miracles and post-Resurrection appearances are absent, and his preaching of love flicked at in telegraphically brief flashbacks. Meanwhile, his scourging, handled in all four Gospels...
...Jewish kid is Kyle Broflofski, whose presence allows "South Park" to address the Jewish question that has dogged Gibson. In a great episode (410), Kyle's three friends - Stan, Kenny and Cartman - are prepared for their first Holy Communion and scared crapless that they'll go to hell if they don't confess all their sins. Kyle, equally, panicked, wants to confess too. But the very conservative priest, Father Maxi, informs Kyle solemnly that he and his hapless kind are condemned to wade forever in the wretched lake of fire. His colleague, the more liberal Sister Anne, is shocked...
...their church. One of the strangest but most telling passages in Dean's recent stump speeches comes when he indulges in a romantic vision of 1968--a terrible year when America seemed to be falling apart but a time he remembers fondly as a moment of misty social communion. That, he says, is the America he seeks to re-create...
CONSECRATED. V. GENE ROBINSON, 56, as bishop of New Hampshire and the first openly gay prelate in the Episcopal Church; in Durham, N.H. Conservative Anglican church leaders around the globe declared a state of "impaired communion" with the American church but stopped short--for now--of a threatened official break. After receiving a standing ovation from a crowd of more than 3,000 gathered for the consecration, Robinson said: "It's not about me; it's about so many other people who find themselves at the margins...
When she photographed a Jewish giant at home with his parents or a Christmas tree in Levittown in fullest bleak regalia, Arbus was situated between complicity and awe, a place where irony is beside the point and mere compassion has been left behind for something like mordant communion. It all makes for some complicated feelings. There's not a false or sentimental image anywhere in this show, yet one of the final groupings of pictures, in which retarded children face the camera to throw us back at ourselves in difficult ways--can move you to places where tears...