Word: communist
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Dates: during 2000-2009
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...America tried to sell New Coke. In response to a CBS Sunday Morning video comparing the two yule logs, fans bombarded segment host Mo Rocca's blog with protests ("The person who wants the new yule log is a f**king loser and an communist. He should get fired from his job. Merry Christmas," one wrote). Sean Compton, WGN's Senior Vice President for Programming Entertainment, received email complaints as well. "I'm getting attacked," he says. "I had 10 emails this morning, and I don't know how they're getting my address." Compton, who came to WGN from...
...overriding ideology like democracy or the mysticism of the Taiping and Boxer rebellions in the mid 1800s and early 20th Century," Says Zweig. "For regimes to collapse now you also need the middle class, and I just can't see that happening. They have been the core of Communist Party support for a decade or more and their future is still very much tied up with the Party...
...tell that the senior leaders know political change will come to China eventually and that the Party can't hang on indefinitely," says the diplomat. "That's why 90% of their children are in business, not working their way up the Communist Youth League or whatever. But that change is 15, 20 years down the road. That's not going to happen now, even if it is a very bad downturn. Change will come to China...
...main contrivance of the plot, hatched by Matt Lopez and fleshed out by longtime Sandler scribe Tim Herlihy. Obliged to read the children to sleep with a bedtime story, Skeeter tosses aside his sister's PC books like The Organic Squirrel Gets a Bike Helmet ("Communist stuff," he opines) and invents a fairy tale of his own: a medieval frolic where he is Sir Fix-a-Lot and Kendall is Sir Butt-kiss. As Skeeter wanly improvs, the kids add impish twists of their own: that the sky will rain gumballs, a dwarf will ruin...
...Schaffner, William Friedkin) or be nominated for them (John Frankenheimer, Norman Jewison, Arthur Penn, Arthur Hiller, Robert Altman). Directing scripts by such comers as Gore Vidal, Reginald Rose and Horton Foote, he learned a reverence for the word and for the midcentury liberalism it embodied and ratified. Solid, non-Communist, arguably paternalistic, this was a liberalism more social than political. A better word would be humanism. That was the tone and worldview that Mulligan's best films would radiate...