Word: communiste
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Dates: during 1940-1949
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Their accuser, Whittaker Chambers, quietly went back over his old story: that Alger Hiss, a trusted government official facing trial for the second time on a charge of perjury, had fed secret documents into ex-Communist Courier Chambers' spy ring. But to the familiar mosaic he added a few sharp, new fragments...
Transfer by Order. Witness Chambers testified that the original idea of stealing State Department documents for the Communist Party was Hiss's own. Even before Hiss had begun his meteoric rise in the State Department, said Chambers in a dispassionate voice, when Hiss was still on the Nye committee, Hiss said that he had "an angle" for getting State Department documents. The Hiss career remained under the watchful eye of the Red apparatus. In 1936 Hiss had the opportunity to transfer from the Justice to the State Department. Said Chambers: "He [Hiss] wanted to know the party...
...barred from the first trial by Judge Samuel Kaufman, was admitted to the second trial by Judge Henry Goddard. Hiss, who had a Ford roadster, had bought a new Plymouth. Said Chambers: "He wanted to get rid of the Ford. He proposed to turn it over to the Communist Party for the use of some poor organizer . . . Later Mr. Hiss told me that he had turned the car over according to an arrangement made between him and J. Peters." If the Government could prove that such a transfer had actually taken place, the evidence would be a damaging blow...
Hadn't Chambers falsified an application for a passport in 1935, signing the name of David Breen? Chambers admitted that he had. What was Chambers' conception of an oath? "I had a Communist's conception of an oath. That it had no binding force on a Communist." Chambers admitted that as a Communist courier he had been "in fact a traitor." Cross went into his more recent, non-Communist past. Chambers admitted that he had lied when he first told a grand jury that he knew of no espionage activities...
...list of the artists who were to appear, Mrs. McCullough was a little put out. The second concert featured Larry Adler, the mouth organist, and Paul Draper, the lissome dancer, and she had read enough about them to conclude that both had been busy supporters of various Communist fronts. Hester McCullough went to the telephone and called several board members of the Greenwich Community Concert Association to protest the idea of presenting artists who mixed their art with politics. Most of the members pooh-poohed...