Word: communists
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...motivation. Its true that Hanssen made a fair amount of money from the Soviets, but that does not seem to be what's driving him. He just goes on living a modest middle-class existence. Nor does he bear any resemblance to certain Cold War-era spies, who served communist ideology out of some sort of (misplaced) idealism. It was rather the opposite with him. Slowly, it steals across you that he was acting out of the desire to prove just how smart he was, how superior he was to his, well, superiors. Does he suspect them of suspecting...
Hoberman says this sort of thematic juggling-act is characteristic of Cold War-era films. He cites anti-communist sentiment and the fear of dehumanization at the hands of a totalitarian power as important concerns. “They’re themes that different filmmakers apply themselves to and that different audiences respond to,” Hoberman says...
Hoberman says that to divide Cold War-era films into hard-line, anti-communist propaganda pieces and free thinking anti-McCarthyite films of resistance would be an oversimplification of a complex history. Though he notes that the animated film version of George Orwell’s anti-communist allegory “Animal Farm” was partially funded by the CIA, Hoberman says some studios that produced right-wing Cold War films were just being intelligent...
...while R.G. Springsteen’s “Red Menace” (1949) may be the work of a true anti-communist believer, Hoberman argues that “Pickup on South St.” (Samuel Fuller, 1953), which features communist spies and a McCarthyite hero who is also a criminal, “seems like it might be one of the anti-communist movies but is actually much crazier...
...Museum organized his personal exhibition - and crashed just weeks later in early 1930, when the authorities decided first not to open the exhibition to the public, and then to disband it altogether as undesirable. Filonov managed to present his works only twice more in collective Leningrad artists' exhibits. Then Communist Party authorities orchestrated a vicious press campaign depicting him as a hostile element to the ideals of the revolution. Filonov became a nonperson in a country less interested in "analytical art" than in the triumphant certainties of Socialist Realism...