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Curiously, the season's other major trend-the show built around a star vocalist-is boomeranging. NBC's Perry Como and Dinah Shore, whose early success inspired the idea, enjoy the personal touch and the production support that still set them apart. Though her ratings have been ungallant, ABC's Patrice Munsel has given TV a welcome fillip of talented sex and voice appeal. But the Pat Boones, Giselle MacKenzies and Patti Pages have drawn neither rating nor rooting, and Guy Mitchell will get the ax at ABC this month. Biggest disappointment: Frank Sinatra, now busily trying...

Author: /time Magazine | Title: Television: Year of the Horse | 1/6/1958 | See Source »

...poked neatly around the well-stocked innards of the city's steel-and-concrete underground operations center. But Portland's citizens let viewers down. Mobilizing to the immobile narration of Cinemactor Glenn Ford ("quietly, with caution, but without panic"), the actors behaved with the equanimity of Perry Como in a high school fire drill, rendering unnecessary the slides CBS periodically superimposed over the actors to explain: "AN ATTACK IS NOT TAKING PLACE...

Author: /time Magazine | Title: Television: Review | 12/16/1957 | See Source »

...Jack Paar. To Elsa, Host Paar is "My King of Jest," and Jack calls Elsa "Queen of the Wild Frontier." "Elsa's not afraid to say what's on my mind," explains Paar as, with wide-eyed innocence, he eggs her on to gossip haphazardly about Perry Como ("He puts me to sleep"), Princess Grace of Monaco ("Awfully boring. That castle's the gloomiest place in the world−they probably use privies"), and Elsa's recent loss of a libel suit to King Farouk ("I sat six hours on a board. My fanny was absolutely...

Author: /time Magazine | Title: Television: Guy at the Office Party | 10/28/1957 | See Source »

...afterglow of the success of last year's Perry Como and Dinah Shore shows, the TV networks are taking a high shine to popular singers in jumbo productions. In fact, the TV season threatens to be, in the phrase of one critic, a case of "the bland leading the bland." TV's Pepsi-Cola girl, Polly Bergen, got mired down in embarrassingly labored exchanges with a shrill, scenery-chewing "panel" of other show folk, and only when she used her high but lilty voice did her seductive talents poke through. The Hit Parade was back (in stunning color...

Author: /time Magazine | Title: Television: Review | 10/7/1957 | See Source »

This week Tannen planned to celebrate WEEP's christening by playing only one record all day, Perry Como's Just Born. In picking a new name for his "general market" station, Tannen combed the dictionary before deciding that WEEP held all sorts of possibilities: "A surefire slogan: 'WEEP for joy.' I can call myself the WEEP veep; we'll have a traveling car called the WEEP jeep; and, my God, think of what we can say when we sign off: 'And now, for the next twelve hours you won't hear a peep...

Author: /time Magazine | Title: Television: First Peep Out of WEEP | 10/7/1957 | See Source »

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