Word: companion
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Dates: during 1970-1979
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...full range of his character's emotions and turns of personality without losing sight of the fisherman's basically uncommunicative nature. Milena Dravic portrays the wife as simple and innocent of her husband's lust without allowing her to appear to be simply stupid. Her pleasure in having a companion forms a perfect counterpoint to Yanos turbulent feelings towards the intruding girl...
...Sherwoods have not one but two TV sets, and soon the face of Nina van Pallandt, Irving's elegant traveling companion in Mexico, blossoms on both screens. Edith leans forward to watch with aggressive intentness. "She's going to be on David Frost and David Susskind," someone says. Marmon: "Will she sing or talk?" Sher wood: "She'll sing. She can't talk. She's too stupid...
...sense, Ginzburg was a man ahead of the legal times. Eros, his slick, expensively produced "quarterly on the joys of love," was mildly startling in the early '60s, as was its companion biweekly "newsletter of love," Liaison, and a mail-order volume called The Housewife's Handbook on Selective Promiscuity. The most controversial display in Eros, for example, was a series of color pictures of a black man and a white woman embracing in the nude. The post office, after receiving 35,000 complaints, charged Ginzburg with violating an 1872 law prohibiting the mailing of obscene material...
...Teddy, now a Doctor of Philosophy in America, and his wife Ruth, Soon Ruth and the two sons, Lenny and Joey, engage in some suggestive conversation culminating in a sensual dance between Ruth and Joey. Then Lenny, matter-of-factly, proposes that Ruth remain in England as the sexual companion of the family, and that she also earn a little money on the side as one of his whores (his occupation as a pimp now being revealed). Ruth coolly accepts and her husband, Teddy, readily agrees to the setup. As the lights dim, Ruth sits at center stage, fondling Joey...
...film, which begins as a sort of underworld Taking Off. (Taking Off is another first American film by a Czech director, also concerned with drugs, but in a middle-class milieu.) Unlike Taking Off, Passer's film switches suddenly from slick comedy to terror and sordidness as JJ's companion mistakenly shoots himself up with rat poison intended for JJ and crumples to his death. JJ drags him to an elevator, then flees in fright. The body lies inert across the doorway, the arms flexing up over the chest and relaxing as the automatic door tries again and again...