Word: companioner
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Many Pritchett fictions deal with styles of preserving one's dignity. How does an aging botanist confront the energies of his lovely 25-year-old companion? Carefully, as the author illustrates in the title story of his latest collection: "There are rules for old men who are in love with young girls, all the stricter when the young girls are in love with them. It has to be played as a game." Love, of course, is never a game, especially in a December-May romance where the older party keeps one eye on the clock and the younger does...
...Pritchett's characters are articulate about their- predicaments. Zuilmah Bittell in Tea with Mrs. Bittell is an affluent widow whose wits have been slowed by gentility. With a head "clouded by kindness and manners and a pride in her relics," she befriends a shop clerk whose companion attempts to plunder her expensive furnishings. That the pair are probably homosexuals escapes Mrs. Bittell; that embarrassment moves her to brave action provides the reader with an unexpected insight into motivation: "She had often, in her quiet way, thought of what she would do if someone attacked her. She had always planned...
...Kennedy will hastily grab a rag to wipe a thumbprint off a chrome fitting or to polish the brass. Once Ethel dropped a deviled egg on the teak deck. Kennedy frowned as she wiped up. "I'll bet we don't get invited back tomorrow," she murmured to a companion. She was right...
...cost money. Hollywood offered him periodic stints of screen writing, and these paid some bills. The marketplace for short fiction provided another recourse. Luckily for Faulkner, at the time it was enormous: the Saturday Evening Post, Collier's, American Mercury, American Magazine, This Week, Woman's Home Companion, Country Gentleman, Scribner's magazine. Faulkner received rejections from all of these journals, some now defunct, as well as from a few survivors like The New Yorker, but he also published enough to buy precious time for his novels...
Pakula and Brooks hide one serious--and disturbing--social comment in the giggles of Potter's second-engagement bliss. In An Unmarried Woman, the heroine proudly disdained the need for a male companion. It seems, however, that Potter cannot go more than a month without a mate. Are we to infer that men who can't live without women are "lovable" and "sensitive?" Brooks, whose Mary Richards pioneered as television's securely single woman, sells single men short...