Word: companionism
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...trumpet’s clarion call led brilliantly by the HRO trumpeters, among them president Finne. The following movement, “The Hero’s Adversaries,” was a quieter and more capricious piece showcasing the woodwinds. “The Hero’s Companion,” the third portion, highlighted the extraordinary ability of co-concertmaster J. Y. “Ariel” Jeong ’07 in show-stealing solos on the violin.Jeong’s perfect pitch was especially poignant as it persisted through “TheHero?...
...negotiating a curve in the road. Let's make him a young male. He is going to be influenced by his perceptions of both the risks and rewards of driving a car. The considerations could include getting to work or meeting a friend for dinner on time, impressing a companion with his driving skills, bolstering his image of himself as an accomplished driver. They could also include his concern for his own safety and desire to live to a ripe old age, his feelings of responsibility for a toddler with him in a car seat, the cost of banging...
...belief that life was way too messy and complex for ordinary film narratives. Any Western town (McCabe & Mrs. Miller), casino (California Split), reception (A Wedding), concert (Nashville), Hollywood power grab (The Player), L.A. earthquake (Short Cuts), country weekend (Gosford Park) or old-time radio show (A Prairie Home Companion) could be the setting for his artful chaos, which gave actors plenty of freedom, and writers nightmares. Receiving a Lifetime Achievement Oscar this year, Altman revealed that he'd had a heart transplant a decade ago. That borrowed heart didn't fail him any more than his corrosive...
...received a heart transplant from a woman who was in her 30s when she died. "By that calculation, you may have given me this award too early. I think I have 40 years on it, and I intend to use it." He didn't. A Prairie Home Companion, the uneasy blend of Garrison Keillor's folksy humor and Altman's corrosive take on human foibles, was his last film...
...Trudeau, plays now like a prophetic parody of media manipulation by such masters as James Carville and Karl Rove). Or any reception (A Wedding), convention (H.E.A.L.T.H.), concert (Nashville), casino spree (California Split), couture opening (Ready to Wear), country weekend (Gosford Park) or old-time radio show (A Prairie Home Companion). Any social gathering, in fact, where people advance the friendly fraud of being themselves, where politics and showbiz overlap, where the action spills fro> m the stage into the audience...