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Advocates of academic recognition for the performing arts compare the situation to that of the sciences, where lab work is an integral part of scholarly achievement. Archie C. Epps III, dean of students and a member of the Faculty Standing Committee on the Arts, says that the analogy is apt...

Author: By Beth Stephens, | Title: Battling A Harvard Tradition | 3/4/1975 | See Source »

Commenting on the director's stylistics, Kael states. "This time [Cassavetes, the director] abandons his handsome, grainy simulated cinema-verite style." Stephen states: "The only scene of Nick at work is shot in the handsome, grainy, cinema-verite style characteristic of Cassavetes's earlier work." Kael closes her article by...

Author: NO WRITER ATTRIBUTED | Title: A CRITICAL LAPSE | 3/3/1975 | See Source »

Cassavetes's admirers compare his home-movie method to Harold Pinter's drama. Although his well-known closeness to the actors, and his dependence on them, is offset by the tighter script of Woman, many scenes are still too protracted and improvisory. The film is nicely framed by two dinner...

Author: By Charles E. Stephen, | Title: Forcing the Limits of Sanity | 2/26/1975 | See Source »

Thin Smile. The critical scrutiny that Mrs. Thatcher can expect to receive from her own party will hardly compare to the dressing-down Labor will try to inflict upon her as leader of the opposition. Perhaps exhausted by the tension of the past two weeks, she seemed unprepared to deal...

Author: /time Magazine | Title: BRITAIN: A Tough Lady for the Tories | 2/24/1975 | See Source »

Escoffier he is not. And no one could compare him to the organized Julia Child. But the Galloping Gourmet, who first roistered onto U.S. TV screens in 1969, charmed and instructed large audiences with his intentionally maladroit preparation of elegant food, claret-nipping and well-staged cocky capers. After a...

Author: /time Magazine | Title: Modern Living: Cooking with Kerr | 2/24/1975 | See Source »

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