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...entirely fair comparison. We relied on Mister Rogers to explain death and hurt and sadness, not to eradicate them. But if Ridge faces something of an inspiration gap, he might take a few lessons from Mister Rogers. For instance, that an explanation of a bad thing is only reassuring if it is straightforward and direct. Mister Rogers spoke softly, but he never soft-pedaled. And he knew how to be both compassionate and authoritative. He was "Mister" Rogers, after all, never "Fred." He wore a tie even when he dressed down. He also respected children's intelligence, and while...

Author: /time Magazine | Title: He Was Not Afraid of the Dark | 3/3/2003 | See Source »

...single 95-minute, continuous, unedited, technologically and artistically miraculous Steady-Cam shot. And a mad genius for a director, bent on making—and remaking—Russian history. Were it not so exquisitely beautiful, Russian Ark, the latest film from Russian director Alexander Sokurov, might pale in comparison to the epic story of its own production...

Author: NO WRITER ATTRIBUTED | Title: Film Preview | 2/28/2003 | See Source »

...film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged head-to-head, Moore ends up easily topping Streep, if for no other reason than that Streep persists in being an actress onscreen while Moore is content to be a person. The Hours...

Author: NO WRITER ATTRIBUTED | Title: Listings, February 28-March 6 | 2/28/2003 | See Source »

...these days, few people come to see the shells. With the rise of molecular biology, the old-fashioned comparison of dead specimens is done less and less...

Author: By Ben A. Black, CRIMSON STAFF WRITER | Title: Museum Becomes Modern | 2/21/2003 | See Source »

...film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged head-to-head, Moore ends up easily topping Streep, if for no other reason than that Streep persists in being an actress onscreen while Moore is content to be a person. The Hours...

Author: NO WRITER ATTRIBUTED | Title: Listings for February 21 to 27 | 2/21/2003 | See Source »

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