Word: compassion
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Dates: during 1930-1939
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...sensed in the windowless transport an even bigger mystery. The story got around that the plane would take off without a soul inside, fly straight to Honolulu by means of a "robot" pilot and directional radio. Finally it was established that Director Vidal was only testing out a compass-a radio "homing" device which, he thought, might revolutionize long-distance flying over water. It had been used by the late Macon, it had been tested for more than a year by the Army Air Corps and the Department of Commerce. It was, in fact, a key unit in their blind...
...making her mortal and banishing her to a rock surrounded by fire. In Siegfried the perfect hero penetrates the flames and Brünnhilde is a woman radiantly in love. In Götterdämmerung the emotional range is so extended that few singers have been able to compass it successfully. In the first act a great Brünnhilde must be tender, exuberantly happy. In the second act bewilderment turns to blazing rage. Under the spell of one of Wagner's convenient potions, Siegfried has tricked her, given her to another. A great Brünnhilde...
...years we have seen what seemed a successful system grow slowly and mount steadily to a fair approximation of justice. Then out of God knows where came the change. . . . Where did the money come from? And where the devil has it gone? I am without rudder, anchor or compass. I don't know what is the matter...
...distance of the shocks from the recording station can be readily deduced from the difference in time of arrival of the P and S waves, since their speeds are known. Direction is much harder to determine, even with a half-dozen instruments lined up facing different points of the compass. Frequently it is necessary for three widely separated stations to compare their distance figures before the quake can be located...
Paul Wittgenstein, famed one-armed Austrian pianist, had made his U. S. debut with the Boston Symphony, playing a Concerto especially composed for him by Maurice Ravel. Bostonians closed their eyes because it seemed incredible that a single left hand could compass a keyboard so quickly and completely, make the treble sound clear and strong while the bass poured out a seething undercurrent. Compared with most pianists, Paul Wittgenstein has a fairly small hand. His trick was to train it to lightning speed, to develop his pedal technique so that he could cover transitions gracefully and subtly, give a solid...