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...wave and said he was uncomfortable with attempts to steer Hallyu in a nationalist direction. His stand led to a disagreement with Jung-Sook Park, who is a cultural ambassador-at-large for South Korea. Responding to him at length, she conceded that the cultural issue was complex...

Author: By Roger G. Waite, CONTRIBUTING WRITER | Title: Panel Gives Korean Pop Academic Bent | 2/20/2007 | See Source »

...Reyneris Reyes, as Oberon, was the most powerful dancer of the evening. While his leaps were impressive for their grand size and his turns for their prolonged timing, his complex footwork, though much less noticeable, displayed a flawless execution. Lorna Feijóo, as Titania, complemented the power of Oberon with beautiful lyricism. Despite a slight flaw in the opening lift—perhaps due to opening night nerves—she articulated her character with graceful, beautiful lines...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: Dancers' 'Dream' a Very Real Success | 2/19/2007 | See Source »

...these complex emotional exchanges were frequently undermined by the arrangement of the theater. The stage, in the center of the room, was an unadorned square, and the audience sat on all four sides. So, no matter how consistently the actors circled each other in an effort to address each side of the room, someone wasn’t going to see anything...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: A Tepid Ending for ‘Winter’s Tale’ | 2/19/2007 | See Source »

...imagine him still chortling over his dark accomplishments? Or is he, at last, burdened by regret? It's impossible to say. What one can say, however, is that his story - much more a study in enigmatic character than an exercise in suspense - makes a very good movie: subtle, complex, bleakly funny at times, but always utterly enveloping, one of the great studies in profoundly abnormal psychology...

Author: /time Magazine | Title: Inside the Mind of a Spy | 2/16/2007 | See Source »

...poetry, only to undercut it by showing Whitman’s grittier side. For Trachtenberg, the poet is not merely a man of nature, but also a man of the urban environment who wrote about dead prostitutes in the street. Trachtenberg’s Whitman is a complex figure, less important as a poet than as a witness to his flawed culture. Trachtenberg’s work is difficult for even the most advanced college reader. He doesn’t always ground the critics and artists he references—names and ideas float in and out of essays...

Author: By Madeline K.B. Ross, CRIMSON STAFF WRITER | Title: Trachtenberg Covers His Tracts | 2/15/2007 | See Source »

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