Word: complexing
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...Australia or France. The South African solution has been to stake out the middle ground, where it hopes it can offer good quality and good value. It wants to avoid the massive scale of the Australian industry, and concentrate instead on smaller volume but much more complex wines. South African producers are pushing hard into new markets, too, including Germany, Russia, the U.S. and Sweden, which alone now takes 10% of South Africa's exports. So far, the strategy is working fine. "Our capacity to grow is fairly limited," says Sue Birch, chief executive of the industry body Wines...
Laurence H. Tribe ’62 once wrote that constitutional law’s “accumulated lines of thought and argument are indeed tantamount—however familiar the metaphor—to the threads of a complex tapestry.” The Harvard Law professor is now taking constitution-as-art one step further with a book that uses his own artwork to explain the nation’s founding charter...
...thesaurus, it’s obviously going to make you look like an idiot if you don’t know the meaning of the words,” said Shawn J. Hilgendorf ’10. “But if you are choosing more complex or exact terminology I think it would make you look smarter,” he added. “Students sometimes use words a few sizes too large for their purposes,” said Harvard Bernbaum Professor of Literature Professor Daniel Albright. “In general, if you say caliginous when...
...result is a wine that is marvelously complex, beautifully structured and rich with the flavors of spice and chocolate. The thick skins of Tannat grapes also lead to superb coloring. Try the 2004 Tannat A6 Parcela Unica from the Bouza winery (a very balanced wine that goes well with grilled meats) or the 2002 Tannat del Museo from Bodegas Carrau (redolent with the aromas of stone fruits and cedar). The 2005 Vieja Parcela Tannat from Castillo Viejo has a concentrated, mineral nose due to the vineyard's clay soils and, though dry in the mouth, has a long, sweet finish...
...Four-Hand Sonata for Piano,” played by Bartosik and Wei-Jen Yuan ’06. The two, side by side at the keyboard, sometimes played in unison, but occasionally diverged into different halves of a melodic line. The four hands fantastically combined complex rhythms and lines to make it seem as if they were one performer at the piano. After the intermission, the Bernstein compositions began with “Yigdal,” a fantastic round clearly influenced by Bernstein’s Jewish tradition. “Simchu Na,” a Bernstein...