Search Details

Word: complexing (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...mysterious campaign to force him out - the occasional dead animal dangling from a fruit tree in his garden. And that stuff was easy. The real problems involved jinns, the spirits that many Moroccans accept as hazards of daily life. Shah's new home - a sprawling, decrepit, Arabian Nights complex in Casablanca once owned by a real caliph - was crawling with them. His ever-expanding workforce was terrified by the spectral invaders, blaming them for every accident, including those dead animals. "They were a back door by which all blame could be neatly sidestepped," writes Shah of the jinns. "Any blunder...

Author: /time Magazine | Title: In the Land of Jinns | 3/19/2006 | See Source »

...Data Center. The Department of Homeland Security (DHS) has sown confusion as well by replicating some of the efforts of the ATF and the FBI. It is even duplicating its own work: at least two sections of DHS are scrambling to create bomb centers. Left out of this already complex equation are state and local bomb squads, who were not invited to the task-force meeting even though they will almost certainly be the first responders to a crisis...

Author: /time Magazine | Title: Can the U.S. Prevent This? | 3/19/2006 | See Source »

...tremendous sensation of velocity," says cinematographer Dean Semler, who won an Oscar for Dances with Wolves. All the doom and zoom sound fun, but the ancient Maya are also called the Greeks of the New World--they invented the concept of zero, built astonishing cities and used a more complex calendar than ours. Gibson insists the glory gets its close-ups too. Says Richard Hansen, a Maya scholar at Idaho State University, head of the Mirador Basin Project and a consultant for Apocalypto: "This is by far the best treatment--the first treatment really--of the Maya any film...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

...anxieties: cutting a favorite song, replacing a dialogue scene, finding some extra business for the star. That's nothing compared with the three-year ordeal of bringing Middle-earth to life. The mostly British creative team, beginning with playwright Shaun McKenna, had to figure out how to choreograph the complex battles Tolkien described; how to visualize the dozen realms in the saga and the dozens of characters of many species; how to blend narrative, drama and music in a three-act production--and do it all without retakes or post-production computer effects. Most daunting was the task of satisfying...

Author: /time Magazine | Title: Gandalf in Greasepaint | 3/19/2006 | See Source »

Koonz and Turkle believe that today's students are less tolerant of ambiguity than the students they taught in the past. "They demand clarity," says Koonz. They want identifiable good guys and bad guys, which she finds problematic in teaching complex topics like Hutu-Tutsi history in Rwanda. She also thinks there are political implications: "Their belief in the simple answer, put together in a visual way, is, I think, dangerous." Koonz thinks this aversion to complexity is directly related to multitasking: "It's as if they have too many windows open on their hard drive. In order to have...

Author: /time Magazine | Title: The Multitasking Generation | 3/19/2006 | See Source »

Previous | 482 | 483 | 484 | 485 | 486 | 487 | 488 | 489 | 490 | 491 | 492 | 493 | 494 | 495 | 496 | 497 | 498 | 499 | 500 | 501 | 502 | Next