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Patrons of the University Theatre will welcome the auspicious debut of the "talkie" in Harvard Square, especially if succeeding talking pictures are up to the standard of "Weary River", the current photoplay. Richard Barthelmess's pleasing singing voice is not marred in its new medium: Betty Compson's femininity is enhanced by the liquid notes falling from her sultry lips. The orchestral accompaniment adds to the realism of this juxtaposition of hard-boiled night life on Broadway and the reformatory influences of Sing Sing prison...

Author: By R. T. S., | Title: TALKIES MAKE DEBUT AT UNIVERSITY | 4/2/1929 | See Source »

Barthelmess reveals his usual adeptness at being able to throw off the rhinoceros skin of gangster vice, and Miss Compson becomes a good girl after many revelations of body lines and wetting of luxurious lashes. Any Senior will forget his imminent divisional...

Author: By R. T. S., | Title: TALKIES MAKE DEBUT AT UNIVERSITY | 4/2/1929 | See Source »

...fairly popular. Other films about crooks, however, have had far more interesting heroes than the gangster who develops such musical talent in the prison orchestra that his girl gives him up to let him have his chance in vaudeville. Other talkies have had better dialog than Betty Compson's repetitive "Ah, Jerry," and Barthelmess's "All right, baby." Best shot: close-up of convicts at attention. Like many a handsome, athletic young man who has the air of being an actor in spite of himself, Richard Barthelmess has been in the show business most of his life...

Author: /time Magazine | Title: Cinema: The New Pictures Feb. 4, 1929 | 2/4/1929 | See Source »

...fear that circusing will spoil the boy's chance of amounting to something. Highly admired as a stageplay two seasons ago, the story by Kenyon Nicholson is better than most screen-stories; and Milton Sills, the barker, is convincing even when he chokes his girl friend (Betty Compson) for contriving the seduction of his son by one of the carnival ladies (Dorothy Mackaill). Out of the sound device comes barker-lingo; Douglas Fairbanks Jr. (the barker's son) smiles just like his father; and the hitherto silent voice of Milton Sills has been surpassed, in its recording quality...

Author: /time Magazine | Title: Cinema: The New Pictures Dec. 17, 1928 | 12/17/1928 | See Source »

...entirety of the plot is expressed in the title. In detail, it concerns two bands of thieves who are busily engaged in stealing from one another, each unaware that the other band is devoted to the same purpose. By the time that this point is cleared up, Betty Compson (who has been a detective all along) arrests both bands of robbers. Though totally ineffective as badmen, the thieves are comparatively comic, which is what they are intended...

Author: /time Magazine | Title: Cinema: The New Pictures Dec. 19, 1927 | 12/19/1927 | See Source »

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