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...suffers from such imperfections as polyglot accents among the cast; the fre quent use of miniatures and fake outdoor sets, particularly in the earlier sequences; the absurd theatricality of little, linking scenes that could with no more trouble have been made natural and valid; and the miscasting of Betty Compson who, with her worn, heavily cosmetized prettiness. in a hut in the middle of a forest looks little like a tough Russian girl camping out. Chester Morris, though highly histrionic, makes the part of Grischa believable, and the last sequences, especially the execution, are directed with realism. Best shot...

Author: /time Magazine | Title: Cinema: The New Pictures Mar. 17, 1930 | 3/17/1930 | See Source »

After "Street Girl", current attraction at the University Theatre, has been seen, one wonders why there aren't more like it. It is another all talking-singing-dancing picture, but not just another one. Betty Compson, having taken unto herself a French accent, combines with Jack Oakie and Ned Sparks, to give cinema patrons one of the snappiest and most delightful musical movies to date. The entire picture has a certain swing that is sure to captivate one, and, contrary to most movies of its type, "Street Girl" has a continuity to it that keeps it from the bromidal class...

Author: NO WRITER ATTRIBUTED | Title: "STREET GIRL" IS GOOD ENTERTAINMENT | 11/15/1929 | See Source »

...story revolves about four boys in an orchestra who advance from a $100 a week job at a low dive to a $3000 position at the Little Aregon Cafe, all because of the energetic work of "Freddy" as played by Miss Compson. Then there is the usual mushy ending, but one can discount that in view of the rest of the picture...

Author: NO WRITER ATTRIBUTED | Title: "STREET GIRL" IS GOOD ENTERTAINMENT | 11/15/1929 | See Source »

Lancaster--"Street Girl", with Betty Compson...

Author: NO WRITER ATTRIBUTED | Title: BOARDS AND BILLBOARDS | 11/5/1929 | See Source »

Street Girl (Radio). This first venture into the movie business of Radio Corp. of America has no air of being an experiment. The principals-Jack Oakie and Betty Compson-are experienced film actors; the plot, involving jealousy in a song-and-kiss troupe, is the main staple of the current season. The tunes are like hundreds of other tunes you've heard, and the fantastic lives, childish problems, and unreal reactions of the characters belong to a type familiar to cinema-seers since 1910. A girl from one of those Graustarkian Balkan kingdoms changes the destinies of the boys...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 12, 1929 | 8/12/1929 | See Source »

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