Word: coms
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Dates: during 1960-1969
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...multidomed ceiling and an elaborately carved golden throne beneath two 800-lb. chandeliers. In Prokofiev's War and Peace, which ran for four hours the following night and called for 40 soloists even in the condensed version, some scenes were framed in 50-ft. Doric columns inflated with com pressed air, while others featured cracking rifles, flapping flags and rank upon rank of charging soldiers...
Some time in the '70s, most com puter men predict, today's software knot should be untangled, partly by a vast expansion of computer schools and partly by more automation. Computer companies are straining to concoct programs that write other programs. Thus they foresee the day when a few standardized reels of tape will begin to replace programmers at the simpler levels. Still, few in the industry expect competent technicians to face unemployment. If today's pattern holds, every new triumph in computer technique will only fortify the demand for wider applications. The saturation point for computers...
...curriculum and Chinese students hit the streets in protest, setting off the anti-Chinese explosion. Peking accused Rangoon of instigating an "outrage of white terror" against the Chinese, for the first time came out in full, open support of the more militant of Burma's two Com munist parties...
Tired of Beethoven. With two more concerts to come this week, Henze, at 41, is presenting what amounts to a retrospective show: eleven pieces com posed between 1946 and 1965, including four premieres. It is all part of Dartmouth's five-year-old Congregation of the Arts, which each summer invites three composers to a fortnight of per forming, reviewing and explaining a representative sample of their music. Carlos Chavez, the late Zoltan Kodaly and Witold Lutoslawski are among past composers in residence; Frank Martin and Aaron Copland are Henze's predecessor and successor this year...
Creativity & Brandy. The Lion still qualifies. Last week, during a duo-piano date with Jack Teagarden Alumnus Don Ewell at Manhattan's Village Gate, he rippled off rocking arpeggios and lacy melodies in such original com positions as Echoes of Spring and Passionette; then, in up-tempo drivers like I Found a New Baby and Sweet Georgia Brown, he unleashed his juggernaut left hand to stride and stomp around the lower half of the keyboard while his right hand danced up high in finger-blurring filigrees or punched out syncopated chords. A resplendent showman in his red vest, derby...