Word: conceit
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Dates: during 1970-1979
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...play progresses. When Reg finally appears. Ben admits to him that, "metaphorically," at least, he and Joey are married. But Reg resolutely refuses to surrender the stage, and when he leaves, it is clear that Joey is no longer Ben's. The outsider easily punctures the academic conceit. Michael Martorano's Reg, it must be added, is yet another strong and faultless performance...
Although Chesterton was to become a Catholic apologist, Thursday was written long before his conversion, and it does not yield to simple theological analysis. Sunday may be God; he may just as easily be Satan or the State. The council is a satiric conceit; it is also a social prophecy that antedates Kafka's The Trial by 15 years and the CIA by two generations. Syme's story rings with the sonorities of the Book of Job. It is also a splendid detective yarn...
...suspects from the beginning of LOVE AMONG THE RUINS (ABC, Thursday, March 5, 9 p.m. E.D.T.) that Hepburn's amnesia is a ploy, that Writer James Costigan will find a way for old love to conquer all. But who cares? His nostalgic Edwardian romance is just a charming conceit designed to bring Hepburn, 65, and Olivier, 67, together. The director is Veteran George Cukor, 75, whose cutting and camera placements impart a subtle tension (and an air of elegant craftsmanship) above and beyond the call of television duty. Indeed, all three conspire to make Costigan seem a much wittier...
These irreverent moments lie close to the heart of the series' remarkable appeal, for they are the flip side of Clark's enthusiasm for his subject. His business, he implies, is not uplifting masses, but holding a civilized conversation among equals. It is an endearing conceit, one that makes you want to break out the port and cigars when he raps on the electronic door...
...bloodbath double murder, followed by an acid bath of several days' duration to dispose of the corpses. A few critics have suggested that Le Trio Infernal is supposed to be a black comedy, but the length and the detailing that Girod lavishes on this sequence dissolve that conceit more quickly than the acid turns the victims into glop. Since Girod's view of the proceedings is both slavishly realistic and entirely amoral, irony, satire and rage - the comic artist's basic tools - are not at his disposal. But the film is actually unworthy of even that much...