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Word: conceitedly (lookup in dictionary) (lookup stats)
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...Count's living theatre works just fine until the inevitable ingenue (Ellen Endicott-Jones) upsets all the artificial relationships. Anouilh never has time to exploit The Rehearsal's central conceit for he soon finds himself struggling to protect his ingenue from the cynics that surround her. Hero, the Count's alcoholic friend, takes over and the play sloshes forward lugubriously. Humbert Allen Astredo delineates his drunkenness with sensitivity, but there's just so much Anouilh packed into his long monologues, that he can't help but become tiresome...

Author: By Gregg J. Kilday, | Title: The Rehearsal | 2/15/1969 | See Source »

...foundations and the multiple demands made on the school by the neighborhood, big business, and government. Before he attempted this outline, Barzun apprenticed for twelve years as Dean of Faculties and Provost at Columbia. Since the "hero" of the book is naturally Columbia, his remarks on violence and student conceit have more than routine interest...

Author: NO WRITER ATTRIBUTED | Title: Decline of Learning | 2/11/1969 | See Source »

...family allowance, unlike the negative income tax, could be sold politically as a program for children rather than the poor, and thus would probably be more acceptable to Congress and the public. A "negative income tax," on the other hand, sounds like what it is, an economist's conceit, while a "guaranteed annual income" suggests featherbedding on a grand scale...

Author: /time Magazine | Title: Essay: WELFARE AND ILLFARE: THE ALTERNATIVES TO POVERTY | 12/13/1968 | See Source »

There are other kinds of humor-such as giving the actors makeup and music from the Mack Sennett era-and the whole conceit might have made a delightful short. Much too hour an is it of minutes...

Author: /time Magazine | Title: Cinema: Happy End | 6/28/1968 | See Source »

...finally stand face to face, no amount of individual stagecraft can forestall the recognition that they are acting in different plays. Hamlin, for better or whose, is playing a text about an individual's realization that progress is an illusion and a cheat. Shuman is playing an elaborate directorial conceit concerning the corporate bankruptcy of American life. Where the juxtaposition of these characters might create tension, it begets doubt, and where it might suggest final insight, it conjures up only a conceptual mis-match...

Author: By Peter Jaszi, | Title: The Empire Builders | 4/12/1968 | See Source »

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