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...Second Sex” for ascribing to a masculinist paradigm. By trivializing women’s reproductive labor, the argument went, Beauvoir reinscribed the gendered binaries which she purported to deny, conflating culture with man and nature with woman. In this view, Beauvoir figured liberation as a masculine concept??as the ability to transcend the limitations of the traditionally feminine. The model of liberation that she offered woman, therein, seemed no different from the existing paradigm proffered...

Author: By Courtney A. Fiske | Title: Situating Sex | 4/20/2010 | See Source »

...plays to fit an overarching theme, connect well aesthetically, the content overall is fragmented. And though the idea of compiling scenes to describe the time-old notion of the “seven sins” is inspired, the execution doesn’t fulfill the concept??s potential. The show is lively and entertaining, but only one of its plot lines is fully resolved. The continuation of the “pride” storyline—which appears in three different scenes—is the only to work well. Perhaps developing the other sins...

Author: By Athena L. Katsanpes, CONTRIBUTING WRITER | Title: Hyperion’s ‘Sins’ Dead On in Entertainment Value | 10/16/2009 | See Source »

...years later for the success of their third, and best, record, 2006’s “The Body, The Blood, The Machine.” In retrospect, that record seems a success more in spite of itself than anything else: the predictably facile “concept?? of the album—a desperate romance in a post-apocalyptic dystopia—is kept at bay by irresistibly catchy tracks like “Here’s Your Future,” and “An Ear for Baby.” And though...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Thermals | 4/10/2009 | See Source »

...between the various guest acts and the production of N.A.S.A., which works so well on “Gifted” and “Watchadoin?,” is exactly what is lacking on the less successful tracks. The project at times gets caught up in its own concept??picking unexpected groups of artists out of sheer caprice without regard for their combined sound. As delightful as it is to imagine Karen O hanging out with Ol’ Dirty Bastard—may he rest in peace—her distinctive vocals...

Author: By Charleton A. Lamb, CRIMSON STAFF WRITER | Title: N.A.S.A. | 2/27/2009 | See Source »

...gives the boys a voice too. Not all the film’s men are vindicated or excused, nor are all its women victimized; thus, the film achieves a more balanced view of the sexes than its textual counterpart. For a film based on such a simple concept??following several relationships with the most clichéd and common problems—“He’s Just Not That Into You” is surprisingly smart, touching, funny, and real. There are moments of genuine laugh-out-loud hilarity, and the film achieves it without...

Author: By Jenny J. Lee, CRIMSON STAFF WRITER | Title: He's Just Not That Into You | 2/12/2009 | See Source »

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