Word: conceptional
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Dates: during 1960-1969
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...investigation of pain has been pursued as energetically as the search for disease-causing microbes. One of the difficulties that must be understood, says University of Wisconsin Psychologist Richard A. Sternbach, is that pain is not a "thing," and certainly not a single, simple thing, but an abstract concept used by observers to describe three different things: "1) A personal, private sensation of hurt; 2) a harmful stimulus, which signals current or impending tissue damage; and 3) a pattern of responses, which operates to protect the organism from harm." Sternbach concedes that his use of "hurt" in the first part...
While stressing its right to review the whole concept of radical education at the end of the academic year, the CEP approved plans for Soc Rel 149--a spring term follow-up to Soc Rel 148. But the CEP said that Soc Rel 149 organizers would have to explain to the Soc Rel department the suggested "direct social action" sections of the course...
...challenge. The challenge itself is due in part to the fact that procedures, rules and institutions devised in earlier times are no longer adequate to, or functional for, what the University has become. The myth of the traditional University remains what could be called the Barzun ideology, or the concept of the liberal arts College, or the dream of the temple of learning, disinterested and politically or socially neutral. The reality is of course quite different, as shown by the growth of specialization, research and involvement in public affairs. This discrepancy explains why, in every confrontation, events are actually shaped...
Describing the toppling of the ivory-tower concept, Pusey alluded to a 1957 Commencement speech by art historian Erwin Panofsky. Panofsky had said that the university should be a "quiet, detached place devoted primarily to study and contemplation," where scholars could see things that those closer to the action could...
...dropping acid since I last read him, and, more importantly, he happens to be turning his visions (somehow, a nicer word than hallucinations) into excellent prose. In "The Serpent of Kundalini" he turns a literary trick I have never seen before; he sketches a symbol so vividly that the concept behind it is assimilated long before it is explicitly stated. The symbol is a sort of paper-bag human frame crumpling at various points in the story, and the concept is that of an alternative not take, one of our potential selves that begins to die once we have made...