Word: conceptions
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Dates: during 2000-2009
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...necessary, the place was fairly packed for dinner. As either a party restaurant or a date destination, shabu-style dining does the trick—it ensures lots interactive fun and the discussion that goes with it.But, here’s the clincher: “Our interior design concept places you right inside a pot of shabu-shabu,” says the restaurant’s self-analyzing Web site. “The pink and green seating invokes the meats and vegetables while the playful light fixtures bring to mind the bubbles in a boiling...
...much of Leisure is taken up by Ayres' romantic disasters, surely mortifying to experience yet so flat on the page. And by the fifth time he leaves us on a "cliffhanger," only to resolve the situation two pages later, it's clear that his concept of dramatic tension is a flawed one. But Ayres succeeds best in his doubting moments of financial self-reflection - the kind that everyone seems to be undergoing these days. Is it wise to put everything on my credit cards? Do I really need this caviar face treatment? Or, as Ayres writes, "does anyone...
...finalized. Richard Getz, who owns the 3 Brattle St. location, hinted that the restaurant would open near the end of the month, but both he and a spokeswoman for Tory Row declined to provide an exact date. “There’s still so much of the concept that’s being developed, so we can’t really say much for certain at this point,” said spokeswoman Elizabeth Lescaze. Curtis and the restaurant’s other owner, Christopher A. Lutes, already run four other Boston-area restaurants: Cambridge 1, which...
...just had a major strike, and he hopes this will keep a lot of people from demonstrating and improve his ratings," he says. "That is combined with the gut reaction of the French to protect, to be interventionist, to centralize. But more importantly, his talk about repatriation undermines the concept of the E.U.'s single market. And when it gets to this level, there is good reason to be afraid...
...their prejudices, “Rotimi Fani-Kayode (1955-1989)” presents perceptive and personal reflections on life that extend beyond the comforts of convention.Using symbolism and techniques of lighting as his instruments, Fani-Kayode carefully sculpts images of inner conflict. In one photograph left untitled, the concept of tribal masculinity is emphasized by the intense light that shines on Fani-Kayode’s chest, which is puffed up like that of a bird trying to impress a potential mate. In his outstretched hands, he carries colorfully painted tribal feathers that he fans towards the camera lens...